{"id":37,"date":"2021-04-22T20:01:47","date_gmt":"2021-04-22T20:01:47","guid":{"rendered":"https:\/\/scholarblogs.emory.edu\/arthistory\/?page_id=37"},"modified":"2026-04-06T13:56:25","modified_gmt":"2026-04-06T13:56:25","slug":"past-events","status":"publish","type":"page","link":"https:\/\/scholarblogs.emory.edu\/arthistory\/past-events\/","title":{"rendered":"Past Events"},"content":{"rendered":"

Graduate Colloquium<\/strong><\/h2>\n

\"\"<\/p>\n

Life and Afterlife: Conversations in Art Historical Research<\/h3>\n

Friday, April 3, 2026
\n9:30am-4:20pm
\nPAIS 220<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Endowed Colloquium<\/strong><\/h2>\n

\"\"<\/p>\n

Conversation with Curator Jan Stuart<\/h3>\n

Jan Stuart
\nMelvin R. Seiden Curator of Chinese Art, National Museum of Asian Art<\/p>\n

Friday, March 27, 2026
\n10:00am
\nCarlos Hall Conference Room<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Endowed Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

Rocks as Art: Collected and Displayed by Chinese Scholars<\/h3>\n

Jan Stuart
\nMelvin R. Seiden Curator of Chinese Art, National Museum of Asian Art<\/p>\n

Thursday, March 26, 2026
\n6:00pm
\nAckerman Hall, Carlos Museum Boardroom<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Heath Lecture in Modern & Contemporary Art<\/strong><\/h2>\n

\"\"<\/p>\n

Soft Sculpture for Hard Histories<\/h3>\n

Eddie Rodolfo Aparicio<\/p>\n

Tuesday, March 3, 2026
\n6:00pm
\nAckerman Hall, Carlos Museum<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

Shared Voices, Shared Authority: Women’s Collective Contributions to Vernacular Convent Sermons in the Southern Low Countries<\/h3>\n

Patricia Stoop
\nRuusbroec Institute and Department of Literature, University of Antwerpen<\/p>\n

Monday, January 26, 2026
\n5:00pm
\nCandler School of Theology 360<\/del> moved online due to inclement weather<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium XIV<\/strong><\/h2>\n

\"\"<\/p>\n

Mundus Chartaceus<\/em>: Paper, Virtual Presence, and the Production of Knowledge in Early Modern Europe, 1500-1700<\/h3>\n

Thursday, September 25-Saturday, September 27, 2025<\/p>\n

Click here to view the full program.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/strong><\/h2>\n

\"\"<\/p>\n

Describing Frankenthaler<\/h3>\n

Harry Cooper
\nBunny Mellon Curator of Modern Art, National Gallery of Art<\/p>\n

Friday, April 11, 2025
\n10:00am
\nCarlos Museum Boardroom<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/strong><\/h2>\n

\"\"<\/p>\n

Helen Frankenthaler: Painting Outside the Box<\/h3>\n

Harry Cooper
\nBunny Mellon Curator of Modern Art, National Gallery of Art<\/p>\n

Thursday, April 10, 2025
\n6:00pm
\nAckerman Hall, Carlos Museum<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Endowed Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

The Intelligent Hand: From Hellenistic Epigram to the Hoby Cups<\/h3>\n

Verity Platt
\nProfessor of Greek and Roman Art, Cornell University<\/p>\n

Thursday, March 27, 2025
\n6:00pm
\nConvocation Hall 208<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

JPE Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

Copy\/Past<\/h3>\n

Giovanni Lovisetto
\nVisiting Assistant Professor, Emory University<\/p>\n

Wednesday, March 26, 2025
\n11:30AM
\nN. Decatur Building, Room 155<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Endowed Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

The Kwanza River is as Old as Video: M\u00f3nica de Miranda’s Path to the Stars<\/em> (2022)<\/h3>\n

Delinda Collier
\nProfessor, School of the Art Institute of Chicago<\/p>\n

Friday, February 7, 2025
\n4:00PM
\nAckerman Hall, Carlos Museum<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots,<\/span> Big Ideas<\/strong><\/h2>\n

\"\"<\/p>\n

On Maps, Race, and Diasporic Self-Fashioning in Early 19th<\/sup>-Century Brazil<\/h3>\n

Matthew Francis Rarey
\nOberlin College<\/p>\n

Thursday, January 30, 2025
\n4:00PM
\nJones Room, Woodruff Library<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

The Art of Activism<\/h3>\n

Leilah Babirye<\/p>\n

Thursday, November 7, 2024
\n6:00PM
\nPAIS 290<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

Antiquities Theft and Restitution: Legal Rules and One Lawyer’s Perspective<\/h3>\n

Kent L. Killelea
\nPartner, Jones Day<\/p>\n

Wednesday, October 30, 2024
\n6:30PM
\nAckerman Hall, Carlos Hall<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/strong><\/h2>\n

\"\"<\/p>\n

Olympic Games and Urban Transformation (1896-2024)<\/h3>\n

St\u00e9phane Mourlane
\nAssociate Professor of Modern History, Aix-Marseille University<\/p>\n

Monday, October 28, 2024
\n6:00PM
\nOxford Road Presentation Room<\/p>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium XIII
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Affective and Hermeneutic Functions of the Mindful Picture<\/h3>\n

Thursday, September 26-Saturday, September 28, 2024
\nConvocation Hall 208<\/p>\n

Click here to view the full program.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/strong><\/h2>\n

\"\"<\/p>\n

Art & the Difficulty of Expressing the Truth<\/h3>\n

Friday, April 26 and Saturday, April 27, 2024
\nConvocation Hall 204 [relocated to White Hall 200]\n

Click here to view the flyer.<\/a>
\nClick here to view the full program.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/strong><\/h2>\n

\"\"<\/p>\n

The Time is Now: an artist talk<\/h3>\n

Sharon Hayes<\/p>\n

Tuesday, March 26, 2024
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Endowed Colloquium<\/strong><\/h2>\n

\"\"<\/h3>\n

Philo and the Horti in Rome<\/span><\/h3>\n

Annewies van den Hoek
\nHarvard Museum of the Ancient Near East<\/p>\n

John Herrmann
\nMuseum of Fine Arts, Boston<\/p>\n

Friday, October 20, 2023
\n10:00am
\nCarlos Museum Boardroom
\nClick here to view the flyer.<\/a><\/p>\n

\n

Endowed Lecture
\n<\/strong><\/h2>\n

\"\"<\/h3>\n

The Apostolic Founders of Early Christian Rome<\/span><\/p>\n

Annewies van den Hoek<\/b><\/span>
\nHarvard Museum of the Ancient Near East<\/span><\/h3>\n

Thursday, October 19, 2023
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Facing the Death of the Subject: Joan Mitchell and Melvin Edwards<\/span><\/h3>\n

Elise Archias<\/b><\/span>
\nAssociate Professor of Art History<\/span>
\nUniversity of Illinois, Chicago<\/span><\/h3>\n

Friday, April 7, 2023
\n10:00am
\nCarlos Hall Conference Room
\nClick here to view the flyer.<\/a>
\nClick here to view the reading for the colloquium.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Damage and Unity in Melvin Edwards’ Sculpture<\/span><\/h3>\n

Elise Archias<\/b><\/span>
\nAssociate Professor of Art History<\/span>
\nUniversity of Illinois, Chicago<\/span><\/h3>\n

Thursday, April 6, 2023
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Graduate Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Back in Blaeu: Mapping Race in the Dutch Republic<\/span><\/h3>\n

Claudia Swan<\/b><\/span>
\nThe Inaugural Mark Steinberg Weil Professor of Art History<\/span>
\nWashington University<\/span><\/h3>\n

Friday, March 17, 2023
\n10:00am
\nCarlos Hall Conference Room
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

A Material History of the Dutch Colonial Imaginary<\/span><\/h3>\n

Claudia Swan<\/b><\/span>
\nThe Inaugural Mark Steinberg Weil Professor of Art History<\/span>
\nWashington University<\/span><\/h3>\n

Thursday, March 16, 2023
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Pisanello and the Manifold Grounds of Invention<\/span><\/h3>\n

C. Jean Campbell<\/b><\/span>
\nProfessor<\/span>
\nEmory University<\/span><\/h3>\n

Wednesday, February 22, 2023
\n3:00pm
\nCarlos Museum Boardroom
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Ambrogio Lorenzetti’s Mongols: Fourteenth-Century Italian Art and Mongol Asia<\/span><\/h3>\n

<\/b>Anne Dunlop
\n<\/b><\/span>Herald Chair of Fine Arts<\/span>
\nUniversity of Melbourne<\/span><\/h3>\n

Friday, February 10, 2023
\n4:30pm
\nConvocation Hall 208
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

A Case Study on the Turin Satiric-Erotic Papyrus: Historical bodies, mundane resistance and alternative worlds<\/span><\/h3>\n

Reinert Skumsnes<\/b><\/span>
\nVisiting Postdoctoral Fellow<\/span><\/h3>\n

Wednesday, November 9, 2022
\n3:00pm
\nCarlos Museum Boardroom
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Egyptology in Dialogue: Historical Bodies in Relations of Comparisons and Negotiations<\/h2>\n

\"\"<\/p>\n

Organizers:
\n Camilla Di Biase-Dyson<\/b>, Macquarie University
\n Rune Nyord<\/b>, Emory University
\nLeire Olabarria<\/b>, University of Birmingham
\nReinert Skumsnes<\/b>, University of Oslo \/ Emory University<\/p>\n

Ackerman Hall, Carlos Museum
\nThursday, November 3-Friday, November 4, 2022
\nAckerman Hall, Carlos Museum<\/p>\n

Click here to view the conference website.<\/a>
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Egyptology in Dialogue Keynote<\/em>
\nComparing Bodies of Knowledge: Units, Intensities and Disciplines<\/h2>\n

\"\"<\/p>\n

Matei Candea<\/b><\/span>
\nProfessor of Social Anthropology<\/span>
\nUniversity of Cambridge<\/span><\/h3>\n

Friday, November 4, 2022
\n9:00 am
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Egyptology in Dialogue Keynote<\/em>
\n“Nobody Knows What a Body Can Do:” On difference, relations and body worlds<\/h2>\n

\"\"<\/p>\n

Oliver Harris<\/b><\/span>
\nAssociate Professor of Archaeology<\/span>
\nUniversity of Leicester<\/span><\/h3>\n

Thursday, November 3, 2022
\n9:30 am
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Public Scholarship Forum<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Seeing Perfection: Ancient Egyptian Images beyond Representation<\/span><\/h3>\n

Rune Nyord<\/b><\/span>
\nAssistant Professor<\/span>
\nEmory University<\/span><\/h3>\n

with Walter Melion<\/strong>, Director of the Fox Center;\u00a0Todd Cronan<\/strong>, Art History;\u00a0Petra Creamer<\/strong>, MESAS<\/p>\n

Wednesday, November 2, 2022
\n4:00-5:30 pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Identity, Memory, Tradition: Ancient Greek Construction Rituals<\/span><\/h3>\n

Andrew Farinholt Ward<\/b><\/span>
\nVisiting Assistant Professor<\/span>
\nEmory University<\/span><\/h3>\n

Wednesday, October 26, 2022
\n3:00pm
\nCarlos Museum Boardroom
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Artistic Community, Cultural Exchange, and the Ukraine War<\/span><\/h3>\n

Tanja D\u00fcckers, Anastasiya Yarovenko, <\/strong>and Olena Newkryta<\/strong><\/span><\/p>\n

Monday, October 24, 2022
\n4:00pm
\nAtwood 360
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Third Tri-Annual Lovis Corinth Colloquium on German Modernism: <\/span>Space + Place<\/span><\/span><\/h3>\n

October 20-21, 2022
\nConvocation Hall 204
\nClick here to view the flyer.\u00a0<\/a>
\nClick here to view the full program.<\/a><\/p>\n

\n

Open Studio<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Dream Life of the Indigo Children<\/span><\/h3>\n

Masud Olufani<\/strong><\/span>
\nVisual Arts Fellow<\/span>
\nEmory University<\/span><\/h3>\n

Friday, April 29, 2022
\n6:00pm
\nVisual Arts Bldg Gallery
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Spatial Revolution: Soviet Architecture + Its Aftermath in Kharkiv, Ukraine<\/span><\/h3>\n

Christina Crawford<\/strong>
\nAssociate Professor
\nEmory University<\/span><\/h3>\n

Wednesday, April 22, 2022
\n4:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Spatial Justice: Rethinking the Architecture of Social Housing<\/span><\/h3>\n

Dana Cuff
\n<\/strong><\/span>Director of cityLAB and
\nProfessor of Architecture and Urban Design
\nUniversity of California, Los Angeles<\/span><\/h3>\n
<\/div>\n
Monday, April 11, 2022<\/div>\n
6:00pm<\/div>\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium XII<\/span>
\n<\/span>Motus mixti et compositi<\/em>: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Northern Europe: 1500-1700<\/span><\/span><\/p>\n

Thursday, April 7-Saturday, April 9, 2022
\nConvocation Hall 208
\nClick here to view the flyer.\u00a0<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Race, Social Justice, and Contemporary African-American Art<\/span><\/h3>\n

Glenn Ligon
\n<\/span><\/strong>Contemporary Artist<\/span><\/p>\n

Wednesday, February 23, 2022
\n4:15pm
\nZoom
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

At the Butterfly House: Nahua Ambassadors in the Ruins of Rome, 1529<\/span><\/h3>\n

Byron Hamann
\n<\/strong>Associate Professor<\/span>
\nThe Ohio State University<\/span><\/h3>\n
Thursday, December 2, 2021
\n6:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n

Art History Honors Symposium 2021<\/h2>\n

\"\"<\/p>\n

<\/div>\n
Wednesday, December 1, 2021
\n4:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n

Monuments and Memorials Lecture Series<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

The invisible enemy should not exist<\/span><\/h3>\n

Michael Rakowitz
\n<\/strong>Contemporary Artist<\/span><\/h3>\n
\n

Thursday, November 4, 2021
\n<\/span>6:00pm
\nAckerman Hall, Carlos Museum
\n<\/span>Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium XI
\n<\/span>Customized Books in Early Modern Europe, 1400-1700<\/span><\/span><\/h3>\n

Thursday, October 14-Saturday, October 16, 2021
\nConvocation Hall 208
\nClick here to view the flyer.\u00a0<\/a><\/p>\n<\/div>\n<\/div>\n

\n
\n<\/div>\n

Monuments and Memorials Lecture Series<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Excavation: Mining Memory for Restitution and Redemption<\/span><\/h3>\n

Masud Olufani<\/strong><\/span>
\nVisual Arts Fellow<\/span>
\nEmory University<\/span><\/h3>\n
Thursday, October 7, 2021
\n6:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law<\/span><\/h3>\n

Sarah Lewis<\/strong><\/span>
\nAssociate Professor<\/span>
\nHarvard University<\/span><\/h3>\n
Tuesday, April 20, 2021
\n4:30pm
\nZoom<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n

From The Vantage of The Victory: The Sanctuary of The Great Gods and Island of Samothrace<\/h2>\n

\"\"<\/p>\n

Thursday, April 15-Friday, April 16, 2021
\nCarlos Museum, Emory University, Webinar Symposium
\nClick here to view the flyer.<\/a><\/p>\n

\n

Digital Will Smith: “Gemini Man”, Visual Effects, & Post-Racist Ideology<\/h2>\n

Tanine Allison<\/strong><\/span>
\nAssociate Professor<\/span>
\nEmory University<\/span><\/h3>\n
Tuesday, April 13, 2021
\n4:45pm
\nZoom<\/div>\n
Click here to view the lecture.<\/a><\/div>\n
\n
\n<\/div>\n
<\/div>\n
\n

David Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Theo Eshetu<\/strong><\/span>
\nContemporary Artist<\/span><\/h3>\n
Monday, April 12, 2021<\/div>\n
2:30pm
\nZoom<\/div>\n

Click here to view the flyer.<\/a><\/p>\n<\/div>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Theo Eshetu<\/strong><\/span>
\nContemporary Artist<\/span><\/h3>\n
Monday, April 12, 2021
\n12:30pm
\nZoom<\/div>\n

Click here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Spinning Tales: Images of Women, the Athenian Textile Industry, and the “Invisibility” of Female Labor<\/span><\/h3>\n

Katherine Harrington<\/strong>
\nVisiting Assistant Professor
\nClark University<\/span><\/h3>\n

Wednesday, April 6, 2021
\n4:00pm
\nCarlos Museum Boardroom
\nClick here to view the flyer<\/a>.<\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

The Use of The Humanities in Medical & Health Education<\/span><\/h3>\n

Dr. Andrew Furman<\/strong><\/span>
\nProfessor of Psychiatry and Behavioral Sciences<\/span>
\nEmory School of Medicine<\/span><\/p>\n

Tuesday, March 23, 2021
\n5:00pm
\nZoom
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

The Object as Wish<\/span><\/h3>\n

Darby English
\n<\/strong>Carl Darling Buck Professor of Art History and the College<\/span>
\nUniversity of Chicago<\/span><\/h3>\n
\n
Thursday, March 18, 2021<\/div>\n
4:15pm
\nZoom<\/div>\n
Click here to view the flyer.<\/a><\/div>\n<\/div>\n
<\/div>\n
\n
\n

Art History Endowed Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Renaissance Invention: The Newberry’s\u00a0<\/span>Nova Reperta<\/em><\/span><\/h3>\n

Lia Markey<\/strong>
\n<\/strong>Director<\/span>
\nCenter for Renaissance Studies
\nNewberry Library<\/span><\/h3>\n

Suzanne Karr Schmidt<\/strong>
\nGeorge Amos Poole III Curator of
\nRare Books and Manuscripts,
\nNewberry Library<\/p>\n

Thursday, November 12, 2020
\n6:00pm
\nZoom
\nClick here to view the flyer.<\/a><\/div>\n<\/div>\n
<\/div>\n
\n
\n
\n

How Do Medical Doctors Read Images of Covid-19?<\/h2>\n

\"\"<\/p>\n

\n

Jane Patricia Gagliardi<\/strong><\/a>, Associate Professor of Psychiatry and Behavioral Sciences, Duke University
\nCarmelo Gullotto<\/strong><\/a>, Body Imaging Radiologist \/ Breast MRI Specialist, Wake Radiology<\/p>\n<\/div>\n<\/div>\n

Thursday, September 30, 2020<\/div>\n
7:30pm
\nZoom<\/div>\n

Click here to view the flyer.<\/a><\/p>\n<\/div>\n

\n

MAP IT | Little Dots,<\/span> Big Ideas<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Mapping the Discipline, Plotting the Data of the History of Art<\/span><\/h3>\n

Nancy Um<\/span><\/strong><\/a>
\nProfessor of Art History, Associate Dean for Faculty Development and Inclusion, Harpur College of Arts and Sciences, Binghamton University<\/span><\/h3>\n

Wednesday, September 23, 2020
\n7:30pm
\nZoom
\nFor more information about the lecture, click here.<\/a>
\nClick here to view the flyer.<\/a><\/p>\n

\n
\n
\n
\n

Art History Endowed Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Degas’s Dust<\/span><\/h3>\n

Michelle Foa
\n<\/strong>Associate Professor<\/span>
\nTulane University<\/span><\/h3>\n
<\/div>\n
Wednesday, April 22, 2020 [cancelled]\n5:30pm
\nPAIS 290
\nClick here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n

Art History Endowed Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Speaking Ruins: Piranesi and Hubert Robert<\/span><\/h3>\n

John Pinto
\n<\/strong><\/span>Howard Crosby Butler Memorial Professor of Art and Archaeology, Emeritus
\n<\/span>Princeton University<\/span><\/h3>\n
<\/div>\n
April 7, 2020 [cancelled]\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.\u00a0<\/a><\/div>\n
\n
\n<\/div>\n

Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

‘No Other Satisfactory Reason can be Given’: The 19th-Century Discovery of the Ancient Egyptian Afterlife<\/span><\/h3>\n

Rune Nyord
\n<\/strong><\/span>Assistant Professor
\n<\/span>Emory University<\/span><\/h3>\n

Wednesday, April 8, 2020 [cancelled]\n4:30pm
\nCallaway S420
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n<\/div>\n<\/div>\n

Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Behind the Camera: The Strange Fate of Moscow’s Avant-Garde Architecture<\/span><\/h3>\n

William Brumfield
\n<\/strong><\/span>Professor
\n<\/span>Tulane University<\/span><\/h3>\n
Monday, March 2, 2020<\/div>\n
6:00pm<\/div>\n
PAIS 290<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n

Memorial Service for Sidney Kasfir<\/strong><\/h2>\n
Sunday, February 23, 2020
\n1:00pm<\/div>\n
Cannon Chapel<\/div>\n

 <\/p>\n

For those who were unable to attend, you can view the memorial here.<\/a><\/div>\n
\n
Obituary<\/a><\/div>\n<\/div>\n
\n
\n<\/div>\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Piranesi’s Lost Book<\/span><\/h3>\n

Heather Hyde Minor
\n<\/strong><\/span>Professor
\n<\/span>University of Notre Dame<\/span><\/h3>\n
Thursday, February 20, 2020<\/div>\n
6:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n

Emory Williams Memorial Lecture Series<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Gothic Cathedral of Notre Dame de Paris<\/span><\/h3>\n

Elizabeth Pastan
\n<\/strong><\/span>Professor
\nEmory University<\/span><\/h3>\n
Wednesday, February 5, 2020<\/div>\n
4:30pm<\/div>\n
Ackerman Hall, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n

MAP IT | Little Dots, Big Ideas<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Art History Now: Map and Territory, Image and Object<\/span><\/h3>\n

Emily Pugh
\n<\/strong><\/span>Principal Research Specialist
\nGetty Research Institute<\/span><\/h3>\n
Thursday, January 30, 2020<\/div>\n
5:30pm<\/div>\n
Jones Room, Woodruff Library<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n

Lovis Corinth Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium X
\n<\/span>Ekphrastic Image-making in Early Modern Europe and the Americas<\/span><\/span><\/h3>\n
Friday, December 6-Saturday, December 7, 2019
\n<\/strong><\/div>\n
Convocation Hall, Room 208 \u00a0<\/strong><\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n
<\/div>\n
\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Art of Return: The Sixties and Contemporary Culture<\/span><\/h3>\n

James Meyer
\n<\/strong><\/span>Curator of Modern Art, 1945-1974
\n<\/span>National Gallery of Art, Washington D.C.<\/span><\/h3>\n
Friday, November 22, 2019<\/div>\n
10:00am<\/div>\n
Convocation Hall, Room 204<\/div>\n
Click here to view the flyer.<\/a><\/div>\n<\/div>\n
\n
\n<\/div>\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The End of the Sixties: Kerry James Marshall’s <\/span>Mementos<\/em><\/span><\/h3>\n

James Meyer
\n<\/strong><\/span>Curator of Modern Art, 1945-1974
\n<\/span>National Gallery of Art, Washington D.C.<\/span> \u00a0<\/strong><\/h3>\n
Thursday, November 21, 2019<\/div>\n
6:00pm<\/div>\n
Ackerman Hall, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n
\n<\/div>\n<\/div>\n

Lovis Corinth Colloquium<\/span>
\n<\/strong><\/h2>\n

Through a Glass, Darkly<\/span><\/h3>\n
Friday, November 8, 2019<\/div>\n
Ackerman Hall, Carlos Museum<\/div>\n
\n
\n
Click here for further details.<\/a><\/div>\n
\n
\n<\/div>\n<\/div>\n<\/div>\n

Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Making Exhibitions: Curatorial Stories<\/span><\/h3>\n
\n
<\/div>\n
Ruth Fine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stephanie Heydt
\n<\/strong><\/div>\n
Curator\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Curator of American Art<\/div>\n
National Gallery of Art\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 High Museum<\/div>\n<\/div>\n

\nSarah Kennel
\n<\/strong><\/div>\n
Curator of Photography<\/div>\n
High Museum<\/div>\n

 <\/p>\n

Friday, October 4, 2019<\/div>\n
12:00pm<\/div>\n
\n

Convocation Hall, Room 204
\nClick here to view the flyer.<\/a><\/p>\n

\n

Heath Graduate Colloquium in Modern + Contemporary Art<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Why Has It Been So Difficult To Study The Emotions?: Genealogical and Theoretical Issues<\/span><\/h3>\n

Ruth Leys
\n<\/strong><\/span>Professor
\n<\/span>Johns Hopkins University<\/span><\/h3>\n
Friday, April 19, 2019<\/div>\n
10:00am<\/div>\n
Tate Room, Carlos Museum<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
Click here to view the first reading.<\/a><\/div>\n
Click here to view the second reading.<\/a><\/div>\n<\/div>\n
\n
\n<\/div>\n

David Heath Lecture in Modern + Contemporary Art<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

What Do Mirror Neurons Have to Do with Aesthetic Judgement?<\/span><\/h3>\n

Ruth Leys
\n<\/strong><\/span>Professor
\nJohns Hopkins University<\/span><\/h3>\n
<\/div>\n
Thursday, April 18, 2019<\/div>\n
6:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Art Biennials and Literature Festivals in Africa: Possible Futures?<\/span><\/h3>\n<\/div>\n

Ugochukwu-Smooth Nzewi
\n<\/strong><\/span>Curator of African Art
\n<\/span>The Cleveland Museum of Art<\/span><\/h3>\n
in conversation with<\/div>\n

Nathan Suhr-Sytsma
\n<\/span><\/strong>Assistant Professor of English
\n<\/span>Emory University<\/span><\/h3>\n
Thursday, April 11, 2019<\/div>\n
4:15pm<\/div>\n
Oxford Road Building Presentation Room<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n
<\/div>\n
\n

Art History Endowed Colloquium<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Who Built the Mosque of C\u00f3rdoba? On Patronage and Labor<\/span><\/h3>\n

D. Fairchild Ruggles
\n<\/strong>Debra L. Mitchell Chair in Landscape Architecture, and
\nProfessor in Art History, Architecture, and Medieval Studies
\nUniversity of Illinois<\/span><\/h3>\n
Friday, April 5, 2019<\/div>\n
10:00am<\/div>\n
\n

Candler Library, Room 212
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n<\/div>\n

\n
\n


\nArt History Endowed Lecture<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Tree of Pearls: The Extraordinary Architectural Patronage of Egypt’s 13th-Century Slave-Queen<\/span><\/h3>\n

D. Fairchild Ruggles
\n<\/strong><\/span>Debra L. Mitchell Chair in Landscape Architecture, and
\nProfessor in Art History, Architecture, and Medieval Studies<\/span>
\nUniversity of Illinois<\/span><\/h3>\n
\n

Thursday, April 4, 2019
\n6:00pm
\n<\/span>Ackerman Hall, Carlos Museum
\n<\/span>Click here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n

MAP IT | Little Dots, Big Ideas<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Visualizing Krakow under Nazi Occupation: Exploring Digital and Analog Methods to Analyze the Built Environment of the Holocaust<\/span><\/h3>\n

Paul Jaskot
\n<\/strong><\/span>Professor
\nDuke University<\/span><\/h3>\n
Thursday, March 28, 2019<\/div>\n
5:30pm<\/div>\n
\n

Jones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium IX
\n<\/span>Landscape and the Visual Hermeneutics of Place, 1500-1700<\/span><\/span><\/h3>\n

Thursday, March 21-Saturday, March 23, 2019
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n
\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Mapping the Manual of Birds: A New Approach to Understanding Chinese Natural History Painting<\/span><\/h3>\n

Daniel Greenberg
\n<\/strong><\/span>Mellon Postdoctoral Teaching Fellow
\n<\/span>Columbia University<\/span><\/h3>\n

Monday, February 25, 2019
\n5:30pm
\nOxford Road Bldg. Presentation Room
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n
\n
\n<\/div>\n<\/div>\n

Collecting African Art in the 21st Century: The Ethics of Acquisition, Repatriation, Restitution
\n<\/em><\/strong><\/h2>\n

Amanda Hellman
\n<\/strong><\/span>Curator of African Art
\n<\/span>Michael C. Carlos Museum<\/span><\/h3>\n

\n<\/strong>Friday, February 22, 2019<\/div>\n
2:00pm<\/div>\n
Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/div>\n
\n
\n<\/div>\n<\/div>\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Art and Identity<\/span><\/h3>\n

Kwame Anthony Appiah<\/strong><\/span>
\nProfessor<\/span>
\nNew York University<\/span><\/h3>\n
<\/div>\n
\n

Friday, February 8, 2019
\n3:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n

Master Class<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Photogrammetry and 3D Modeling for Archaeological Recording for Buildings and Objects<\/span><\/h3>\n

Phil Sapirstein
\n<\/strong>Assistant Professor<\/span>
\nUniversity of Nebraska-Lincoln<\/span><\/h3>\n

Friday, February 1, 2019
\n10:00am
\nTate Room, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Digital Autopsy and the Temple of Hera at Olympia: Rethinking the origins of Greek monumental architecture<\/span><\/h3>\n

Phil Sapirstein
\n<\/strong>Assistant Professor<\/span>
\nUniversity of Nebraska-Lincoln<\/span><\/h3>\n

Wednesday, January 30, 2019
\n6:00pm
\nOxford Road Building Presentation Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

Graduate Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Kinetic Landscapes of Ancient Mediterranean Pilgrimage<\/span><\/h3>\n<\/div>\n
\n

Troels Myrup Kristensen
\n<\/strong><\/span>Associate Professor
\n<\/span>Aarhus University<\/span><\/h3>\n
<\/div>\n
Wednesday, January 23, 2019<\/div>\n
5:00pm<\/div>\n
Carlos Hall Conference Room<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
\n
\n<\/div>\n<\/div>\n
<\/div>\n
\n

Art History Endowed Colloquium<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Sustainable Aesthetics<\/span><\/h3>\n

Molly S. Nesbit
\n<\/strong>Professor of Art
\n<\/span>Vassar College<\/span><\/h3>\n
<\/div>\n
Friday, November 16, 2018<\/div>\n
10:00am<\/div>\n
Carlos Hall Conference Room<\/div>\n
Click here to view the flyer.<\/a><\/div>\n
Click here to view the first reading for the colloquium.<\/a><\/div>\n
Click here to view the second reading for the colloquium.<\/a><\/div>\n<\/div>\n
\n
\n
\n<\/div>\n

Art History Endowed Lecture<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

The Cut and the Cause: Gordon Matta-Clark at <\/span>Day’s End<\/em><\/p>\n

Molly S. Nesbit
\n<\/strong><\/span>Professor of Art
\n<\/span>Vassar College<\/span><\/h3>\n
<\/div>\n
Thursday, November 15, 2018<\/div>\n
6:00pm<\/div>\n
Ackerman Hall, Carlos Museum<\/div>\n

Click here to view the flyer.\u00a0<\/a><\/p>\n

\n
\n<\/div>\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Nodes and Edges: Architecture in Baroque Rome under Pope Innocent X<\/span><\/h3>\n<\/div>\n

Stephanie Leone
\n<\/strong><\/span>Professor
\n<\/span>Boston College<\/span><\/h3>\n

Thursday, October 18, 2018
\n6:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Data by Design: A Cultural History of Data Visualization, 1786-1900<\/span><\/h3>\n

Lauren Klein
\n<\/strong><\/span>Associate Professor
\n<\/span>Georgia Tech<\/span><\/h3>\n

Monday, September 24, 2018
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Gawkers: Street Theater in Fin-de-si\u00e8cle French Art<\/span><\/h3>\n

Bridget Alsdorf
\n<\/strong><\/span>Associate Professor
\n<\/span>Princeton University<\/span><\/h3>\n
<\/div>\n
Tuesday, April 24, 2018
\n7:15pm
\nCarlos Hall, Room 212<\/div>\n

Click here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

METAscripta: Continuing a Legacy of Shared Cultural Heritage<\/span><\/h3>\n

Debra Taylor Cashion <\/strong><\/span>
\nSaint Louis University<\/span><\/h3>\n

Monday, April 16, 2018
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Reflections on Okwui En<\/span>wezor’s “Redrawing the Boundaries” Editorial, 25 Years Later<\/span><\/h3>\n

Chika Okeke-Agulu
\n<\/strong>Professor of Art History<\/span>
\nPrinceton University<\/span><\/h3>\n

Friday, April 13, 2018
\n10:00am
\nCarlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

El Anatsui’s Metamorphic Objects<\/span><\/h3>\n

Chika Okeke-Agulu
\n<\/strong>Professor of Art History<\/span>
\nPrinceton University<\/span><\/h3>\n

Thursday, April 12, 2018
\n6:30pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium VIII
\n<\/span>Quid est sacramentum?<\/em>: On the Visual Representation of Mystery and Secrecy in Early Modern Europe, 1500-1700<\/span><\/span><\/h3>\n

Thursday, March 29-Saturday, March 31, 2018
\nMarch 29th: Harland Cinema
\nMarch 30-31st: Pitts Theology Library CST 360
\nClick here to view the flyer.<\/a><\/p>\n

\n
\n<\/div>\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Seeing African Arts<\/span><\/h3>\n

Ya\u00eblle Biro <\/strong><\/span>
\nAssociate Curator of the Arts of Africa<\/span>
\nMetropolitan Museum of Art<\/span><\/h3>\n

Susan Elizabeth Gagliardi <\/strong><\/span>
\nAssistant Professor<\/span>
\nEmory University<\/span><\/h3>\n

Tuesday, March 27, 2018
\n7:15pm
\nPAIS 280
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Seminar<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Old Company: The Society of Jesus in Early Modern Europe and Beyond<\/span><\/h3>\n

Liam Matthew Brockey
\n<\/strong>Professor of History<\/span>
\nMichigan State University<\/span><\/h3>\n

Friday, March 9, 2018
\n9:00am
\nModern Languages Bldg. 201
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Panoramas, Pedestals, and Pulpits: Images in the Sermons of Ant\u00f3nio Vieira<\/span><\/h3>\n

Liam Matthew Brockey
\n<\/strong>Professor of History<\/span>
\nMichigan State University<\/span><\/h3>\n

Thursday, March 8, 2018
\n4:00pm
\nModern Languages Bldg. 201
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Design for Humanistic Inquiry<\/span><\/h3>\n

Nicole Coleman<\/strong><\/span>
\nDigital Research Architect
\nStanford University<\/span><\/h3>\n

Thursday, February 1, 2018
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium VII
\n<\/span>Quid est sacramentum?<\/em>: On the Visual Representation of Mystery and Secrecy in Early Modern Europe, 1400-1700<\/span><\/span><\/h3>\n

Thursday, November 30-Saturday, December 2, 2017
\nJones Room, Woodruff Library
\nClick here for the full program.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Digital Development: Mapping Kenya’s “Silicon Savannah”<\/span><\/h3>\n

Lisa Poggiali<\/strong><\/span>
\nPostdoctoral Fellow
\nPrice Center for Digital Humanities, University of Pennsylvania<\/span><\/h3>\n

Monday, November 13, 2017
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Mapping Paintings, Or How to Breathe Life into Provenance<\/span><\/h3>\n

Jodi Cranston<\/strong><\/span>
\nProfessor
\nBoston University<\/span><\/h3>\n

Wednesday, September 20, 2017
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Plays Well with Others<\/span><\/h3>\n

Daniel D’Oca
\n<\/strong><\/span>Principal + Co-Founder, Interboro
\nAssociate Professor in Practice
\nHarvard Graduate School of Design<\/span><\/h3>\n
<\/div>\n
Friday, April 14, 2017
\n9:00am
\nCandler Library 212<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Plays Well with Others<\/span><\/h3>\n

Daniel D’Oca
\n<\/strong><\/span>Principal + Co-Founder, Interboro
\nAssociate Professor in Practice
\nHarvard Graduate School of Design<\/span><\/h3>\n

Thursday, April 13, 2017
\n6:30pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

All Motion Discovers Us: Theaters of Moral Discernment in the Late Sixteenth- and Early-Seventeenth Century Low Countries<\/span><\/h3>\n

Bart Ramakers
\n<\/strong><\/span>Professor of Historical Dutch Literature
\nUniversity of Groningen, The Netherlands<\/span><\/h3>\n

Wednesday, March 22, 2017
\n6:00pm
\nPAIS 290
\nClick here for the full program.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"
\n
\nSecond Tri-Annual Lovis Corinth Colloquium on German Modernism:<\/span>
\n<\/span>Elective Affinities\/Elective Antipathies: German Art on Its Histories<\/span><\/h3>\n

Friday, March 17-Saturday, March 18, 2017
\nMarch 17: Math\/Science Building E300, Planetarium
\nMarch 18: Ackerman Hall, Carlos Museum
\nClick here to view the full program.<\/a><\/p>\n<\/div>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Phenomenality & Materiality in Le Corbusier of Ronchamp as Inscription<\/span><\/h3>\n

K. Michael Hayes
\n<\/strong><\/span>Eliot Noyes Professor of Architecture Theory
\n<\/span>Harvard Graduate School of Design<\/span><\/h3>\n
Thursday, February 23, 2017<\/div>\n
6:00pm<\/div>\n
\n

PAIS 290
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium, MAP IT Part II<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Everyone Talks about Uncertainty, but No One Does Anything About It: Working with Art Historical Lacunae<\/span><\/span><\/h3>\n

Matthew Lincoln
\n<\/strong><\/span>Data Research Specialist
\n<\/span>Getty Research Institute<\/span><\/h3>\n
Friday, November 12, 2016<\/div>\n
10:00am<\/div>\n
\n

Woodruff Library 312
\nClick here to view the flyer.<\/a><\/p>\n

\n<\/div>\n

Art History Endowed Lecture, MAP IT Part II<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Computing with Genre in Paintings, Prints, and Purchases: Questions of Category and Measure<\/span><\/h3>\n

Matthew Lincoln
\n<\/strong><\/span>Data Research Specialist
\n<\/span>Getty Research Institute<\/span><\/h3>\n
Thursday, November 11, 2016<\/div>\n
6:00pm<\/div>\n
\n

Oxford Road Building Presentation Room
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n
\n<\/div>\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Three Museums \u2014 One Collection: The New Displays of Greek, Etruscan and Roman Art in Berlin<\/span><\/h3>\n

Andreas Scholl
\n<\/strong><\/span>Director
\n<\/span>Antikensammlung der Staatlichen Museen zur Berlin<\/span><\/h3>\n
Friday, April 15, 2016<\/div>\n
10:00am<\/div>\n
\n

Carlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n<\/div>\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Pergamon Altar as the Palace of Zeus: From Poetical Inspiration to Architectural Representation<\/span><\/h3>\n

Andreas Scholl
\n<\/strong><\/span>Director
\n<\/span>Antikensammlung der Staatlichen Museen zur Berlin<\/span><\/h3>\n
Thursday, April 14, 2016<\/div>\n
6:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

A Modern Old Master? Using Historical GIS to Chart El Greco’s Influence on the French Avant-Garde<\/span><\/h3>\n

Ellen Prokop<\/strong><\/span>
\nAssociate Photoarchivist
\nFrick Art Reference Library<\/span><\/h3>\n

Monday, April 11, 2016
\n5:30pm
\nJones Room, Woodruff Library<\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

Mapping the Commercial Gallery System in Nineteenth-Century London<\/span><\/h3>\n

Pamela Fletcher<\/strong><\/span>
\nProfessor of Art History
\nBowdoin College<\/span><\/h3>\n

Monday, March 28, 2016
\n5:30pm
\nJones Room, Woodruff Library<\/p>\n

\n
\n
\n


\nDavid Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Double Negative, 14 October-17 October 2015<\/span><\/h3>\n

Amie Siegel
\n<\/strong><\/span>Photographer, Video Arts, and Filmmaker<\/span><\/h3>\n

Friday, March 18, 2016
\n10:00am
\nCarlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Provenance<\/span><\/h3>\n

Amie Siegel
\n<\/strong><\/span>Photographer, Video Arts, and Filmmaker<\/span><\/h3>\n

Thursday, March 17, 2016
\n6:00pm
\nWhite Hall 205
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

The Potential of Historical GIS and Spatial Analysis in the Humanities<\/span><\/h3>\n

S. Wright Kennedy<\/strong><\/span>
\nDoctoral Candidate
\nRice University<\/span><\/h3>\n

Thursday, March 1, 2016
\n5:30pm
\nJones Room, Woodruff Library<\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

Seeing Sound: Mapping Florentine Soundscapes<\/span><\/h3>\n

Niall Atkinson<\/strong><\/span>
\nNeubauer Family Assistant Professor
\nUniversity of Chicago<\/span><\/h3>\n

Monday, February 15, 2016
\n5:30pm
\nJones Room, Woodruff Library<\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Enchanting the Desert<\/em>: Visualizing the Production of Space at the Grand Canyon<\/span><\/span><\/h3>\n

Nicholas Bauch<\/strong><\/span>
\nGeographer-in-Residence
\nStanford University<\/span><\/h3>\n

Monday, February 1, 2016
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

MAP IT | Little Dots, Big Ideas<\/strong><\/span><\/h2>\n

\"\"<\/p>\n

Tracing\u00a0<\/span>The Arctic Regions<\/em>: Mapping Nineteenth-Century Photographs of Greenland<\/span><\/span><\/h3>\n

George Philip LeBourdais<\/strong><\/span>
\nDoctoral Candidate
\nStanford University<\/span><\/h3>\n

Monday, January 25, 2016
\n5:30pm
\nJones Room, Woodruff Library
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium VI
\n<\/span>Ut pictora amor<\/em>: The Reflexive Imagery of Love in Artistic Theory and Practice, 1400-1700<\/span><\/span><\/h3>\n

Thursday, October 29-Saturday, October 31, 2015
\nAckerman Hall, Carlos Museum
\nClick here to view the full program.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Absolute Complicity: 77 Days as Ambassador to Thomas Hirschorn’s Gramsci Monument<\/span><\/h3>\n

Yasmil Raymond
\n<\/strong><\/span>Curator
\nDia Art Foundation<\/span><\/h3>\n

Friday, April 10, 2015
\n10:00am
\nCarlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Double-Consciousness: The Discourse of Displacement in Contemporary Art<\/span><\/h3>\n

Yasmil Raymond
\n<\/strong><\/span>Curator
\nDia Art Foundation<\/span><\/h3>\n

Thursday, April 9, 2015
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Reading in the Theater that was Rome<\/span><\/h3>\n

Evelyn Lincoln
\n<\/strong><\/span>Professor, History of Art & Architecture and Italian Studies
\n<\/span>Brown University<\/span><\/h3>\n
Friday, February 20, 2015<\/div>\n
10:00am<\/div>\n
\n

Carlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Publication Anxiety in Early Modern Rome<\/span><\/h3>\n

Evelyn Lincoln
\n<\/strong><\/span>Professor, History of Art & Architecture and Italian Studies
\n<\/span>Brown University<\/span><\/h3>\n
Thursday, February 19, 2015<\/div>\n
6:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Transformative Marks: Interpreting the Intentional Effacement of Italian Panel Paintings<\/span><\/h3>\n

Megan Holmes
\n<\/strong><\/span>Professor of Italian Renaissance Art History
\n<\/span>University of Michigan<\/span><\/h3>\n
Friday, September 26, 2014<\/div>\n
10:00am<\/div>\n
\n

Carlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Miraculous Images and “Popular” Religion<\/span><\/h3>\n

Megan Holmes
\n<\/strong><\/span>Professor of Italian Renaissance Art History
\n<\/span>University of Michigan<\/span><\/h3>\n
Thursday, September 25, 2014<\/div>\n
7:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Breaking the Fourth Wall? Le Corbusier’s Miracle Box and Spontaneous Theatre<\/span><\/h3>\n

Judi Loach
\n<\/strong><\/span>Professor, School of History, Archaeology and Religion
\n<\/span>Cardiff University, Wales<\/span><\/h3>\n
Thursday, March 20, 2014<\/div>\n
9:30AM<\/div>\n
\n

Carlos Hall Conference Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Le Corbusier \u2014 Landscape Outside and In<\/span><\/h3>\n

Judi Loach
\n<\/strong><\/span>Professor, School of History, Archaeology and Religion
\n<\/span>Cardiff University, Wales<\/span><\/h3>\n
Wednesday, March 19, 2014<\/div>\n
6:00pm<\/div>\n
\n

PAIS 290
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

El Anatsui’s Trajectory: The Art World Star from Nsukka<\/span><\/h3>\n

Susan Vogel
\n<\/strong><\/span>Director
\nMuseum of African Art, New York<\/span><\/h3>\n

Wednesday, February 5, 2014
\n6:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Geertgen tot Sint Jans and the Gift of Painting<\/span><\/h3>\n

Henry Luttikhuizen
\n<\/strong><\/span>Professor of Art and Art History
\nCalvin College<\/span><\/h3>\n

Tuesday, October 1, 2013
\n5:00pm
\nWhite Hall 200
\nClick here to view the flyer.<\/a><\/p>\n

\n<\/div>\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Industrial Revolution: A Short History of Fabrication and the Object<\/span><\/h3>\n

Michelle Kuo
\n<\/strong><\/span>Editor
\nArt Forum<\/em>
\n<\/span><\/h3>\n

Thursday, April 18, 2013
\n5:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

First Tri-Annual Lovis Corinth Colloquium on German Modernism<\/span><\/h3>\n

Friday, March 8-Saturday, March 9, 2013
\nAckerman Hall, Carlos Museum
\nClick here to view the full program.<\/a><\/p>\n

\n
\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Putting the Deceased in the Picture: Pictorial Devices as Visual Cues on Roman Sarcophagi<\/span><\/h3>\n

Paul Zanker
\n<\/strong><\/span>Professor of Ancient Art History
\n<\/span>Scuola Normale Superiore, Pisa<\/span><\/h3>\n
Friday, March 1, 2013<\/div>\n
4:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

It’s Alive! The Cross as a Performative Object in the Middle Ages<\/span><\/h3>\n

Cynthia Hahn
\n<\/strong><\/span>Professor of Art History
\n<\/span>Hunter College and Graduate Center at CUNY<\/span><\/h3>\n
Wednesday, November 7, 2012<\/div>\n
1:00pm<\/div>\n
\n

White Hall 200
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Crown of Thorns\u2014Mockery, Royalty, Piety<\/span><\/h3>\n

Cynthia Hahn
\n<\/strong><\/span>Professor of Art History
\n<\/span>Hunter College and Graduate Center at CUNY<\/span><\/h3>\n
Tuesday, November 6, 2012<\/div>\n
5:30pm<\/div>\n
\n

Oxford Road Building Presentation Room
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium V
\n<\/span>Ab historia proprie figurativa<\/em>: Visual Images as Exegetical Instruments, 1400-1700<\/span><\/span><\/h3>\n

Thursday, February 16-Saturday, February 18, 2012
\nFebruary 16: Ackerman Hall, Carlos Museum
\nFebruary 17: Candler School of Theology 252
\nFebruary 18: Ackerman Hall, Carlos Museum
\nClick here to view the full program.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Magnetic Baroque: The Art and Science of Attraction in Seventeenth-Century Rome<\/span><\/h3>\n

Louise Rice
\n<\/strong><\/span>Associate Professor of Art History
\n<\/span>New York University<\/span><\/h3>\n
Thursday, November 17, 2011<\/div>\n
6:00pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Early Italian Painters and the Secret Life of Stones<\/span><\/h3>\n

Anne Dunlop
\n<\/strong><\/span>Associate Professor, Art History
\n<\/span>Tulane University<\/span><\/h3>\n
Thursday, October 27, 2011<\/div>\n
5:30pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Colloquium<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Public Buildings of Herculaneum<\/span><\/h3>\n

Andrew Wallace-Hadrill
\n<\/strong><\/span>Director of the Herculaneum Conservation Project
\nand master of Sydney Sussex College in England<\/span><\/h3>\n
Wednesday, March 30, 2011<\/div>\n
10:00am<\/div>\n
\n

White Hall 200
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Herculaneum: Living with Catastrophe<\/span><\/h3>\n

Andrew Wallace-Hadrill
\n<\/strong><\/span>Director of the Herculaneum Conservation Project
\nand master of Sydney Sussex College in England<\/span><\/h3>\n
Tuesday, March 29, 2011<\/div>\n
6:15pm<\/div>\n
\n

Ackerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n<\/div>\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Douglas Gordon’s Antitheatricality<\/span><\/h3>\n

Michael Fried
\n<\/strong><\/span>Professor
\nJohns Hopkins University
\n<\/span><\/h3>\n

Friday, February 11, 2011
\n7:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Colloquium in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Douglas Gordon’s Antitheatricality<\/span><\/h3>\n

Michael Fried
\n<\/strong><\/span>Professor
\nJohns Hopkins University
\n<\/span><\/h3>\n

Friday, February 11, 2011
\n10:00am
\nWhite Hall 200
\nClick here to view the flyer.<\/a><\/p>\n

\n
\n

Harvey Stahl Memorial Lecture at Emory<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Architecture, Image, and Vision in 13th-Century France<\/span><\/h3>\n

Michael Davis
\n<\/strong><\/span>Professor of Art History
\nMount Holyoke College<\/span><\/h3>\n
Monday, October 25, 2010<\/div>\n
5:00pm
\nOxford Road Building Presentation Room<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Who Were Artists in Ancient Egypt and What Audiences Did They Address?<\/span><\/h3>\n

John Baines
\n<\/strong><\/span>Professor of Egyptology and Fellow
\nQueen’s College, University of Oxford<\/span><\/h3>\n
Thursday, March 4, 2010<\/div>\n
7:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium III
\n<\/span>The Authority of the Word: Reflecting on Image and Text in Northern Europe<\/span><\/span><\/h3>\n

Thursday, October 8-Saturday, October 10, 2009
\nClick here to view the full program.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Periodizing Contemporary Art<\/span><\/h3>\n

Alexander Alberro
\n<\/strong><\/span>Visiting Associate Professor and
\nVisiting Virginia Bloedel Wright ’51 Chair
\nBarnard College, Columbia University<\/span><\/h3>\n

Thursday, March 26, 2009
\n5:30pm
\nWhite Hall 207
\nClick here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Eve Hesse: sub-objects and studiowork<\/span><\/h3>\n

Briony Fer
\n<\/strong><\/span>Professor of History of Art
\nUniversity College London<\/span><\/h3>\n

Thursday, February 19, 2009
\n5:30pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Seminar<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Poetic Monsters and the Postcolonial Grotesque<\/span><\/h3>\n

Kobena Mercer
\n<\/strong><\/span>Professor
\nYale University<\/span><\/h3>\n
Tuesday, November 4, 2008<\/div>\n
4:00pm
\nJohn Major Seminar Room, Bowden Hall<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n<\/div>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Diaspora as a Detour through Modernity<\/span><\/h3>\n

Kobena Mercer
\n<\/strong><\/span>Professor
\nYale University<\/span><\/h3>\n
Monday, November 3, 2008<\/div>\n
5:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n<\/div>\n

\n<\/div>\n

Art History Endowed Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Archaic Greek Temple Decoration and the Viewer<\/span><\/h3>\n

Clemente Marconi
\n<\/strong><\/span>James R. McCredie Professor in the
\nHistory of Greek Art and Archaeology
\nInstitute of Fine Arts, New York University<\/span><\/h3>\n
Wednesday, October 8, 2008<\/div>\n
7:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

David Heath Lecture in Modern + Contemporary Art<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Kant and the Work of Art<\/span><\/h3>\n

Arthur C. Danto
\n<\/strong><\/span>Johnsonian Professor Emeritus
\nColumbia University<\/span><\/h3>\n

Thursday, February April 10, 2008
\n5:30pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n

\n

Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

The Difficult Task of Erasing Oneself: Non-composition in Twentieth-Century Art<\/span><\/h3>\n

Yve-Alain Bois
\n<\/strong><\/span>Professor
\nInstitute for Advanced Studies, Princeton University<\/span><\/h3>\n
Thursday, March 27, 2008<\/div>\n
5:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Seducing with Stone: Renaissance Gothic Ornament<\/span><\/h3>\n

Ethan Matt Kavaler
\n<\/strong><\/span>University of Toronto<\/span><\/h3>\n

Thursday, November 15, 2007
\n5:00pm
\nAckerman Hall, Carlos Museum
\nClick here to view the flyer.<\/a><\/p>\n<\/div>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Gardens, Landscape Painting, and the Larger Landscape in Baroque Rome: Leaping the Fence before the Picturesque<\/span><\/h3>\n

Mirka Bene\u0161
\n<\/strong><\/span>Associate Professor of the History of Landscape Architecture
\nSchool of Architecture, University of Texas at Austin<\/span><\/h3>\n
Tuesday, November 13, 2007<\/div>\n
5:30pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Vel\u00e1squez is in the Details<\/span><\/h3>\n

Svetlana Alpers
\n<\/strong><\/span>Professor Emerita
\nUniversity of California, Berkley<\/span><\/h3>\n

Thursday, April 12, 2007
\n5:00pm
\nWhite Hall 205
\nClick here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Cannibalism, the Non-Object, and Institutional Critique<\/span><\/h3>\n

Alexander Alberro
\n<\/strong><\/span>Associate Professor
\nUniversity of Florida<\/span><\/h3>\n
Thursday, April 5, 2007
\n5:00pm
\nWhite Hall 103<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Water Infrastructure and Urbanism in Early Modern Rome<\/span><\/h3>\n

Katherine Rinne
\n<\/strong><\/span>Independent Scholar and Hydrologist<\/span><\/h3>\n
Thursday, November 16, 2006<\/div>\n
5:30pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

After Jackson Pollock: The Paris-Osaka Alliance in the 1950s<\/span><\/h3>\n

Lewis Kachur
\n<\/strong><\/span>Associate Professor of Art History
\nKean University of New Jersey<\/span><\/h3>\n
Thursday, October 20, 2006<\/div>\n
5:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Lovis Corinth Colloquium II
\n<\/span>Ut pictura meditatio<\/em>: The Meditative Image in Northern Art, 1500<\/span><\/span><\/h3>\n

Thursday, October 12-Saturday, October 14, 2006
\nClick here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Colloquium<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

Archaeology and Its Double: The Case of Leochares’ Argead Portraits in the Philippeion at Olympia<\/span><\/h3>\n

Peter Schultz
\n<\/strong><\/span>Professor
\nConcordia College<\/span><\/h3>\n
Friday, November 18, 2005<\/div>\n
10:00am
\nCarlos Hall Conference Room<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n<\/div>\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Poseidon’s Nudity and the Iconography of the Parthenon’s West Pediment: New Evidence<\/span><\/h3>\n

Peter Schultz
\n<\/strong><\/span>Professor
\nConcordia College<\/span><\/h3>\n
Thursday, November 17, 2005<\/div>\n
5:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

The Emblematic Conversion of the Biblical Image in the Seventeenth Century<\/span><\/h3>\n

Ralph Dekoninck
\n<\/strong><\/span>Professor of Art History
\nCatholic University of Louvain<\/span><\/h3>\n

Monday, October 24, 2005
\n5:00pm
\nWhite Hall 207
\nClick here to view the flyer.<\/a><\/p>\n

\n

Lovis Corinth Distinguished Lecture<\/span><\/strong><\/h2>\n

\"\"<\/p>\n

The Figure in Early Modern Europe: Device and Concept Between Signification and Representation<\/span><\/h3>\n

Agnes Guiderdoni-Brusl\u00e9
\n<\/strong><\/span>Teaching Fellow
\nCatholic University of Leuven<\/span><\/h3>\n

Monday, October 24, 2005
\n5:00pm
\nWhite Hall 207
\nClick here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

\"\"<\/p>\n

Branding the Campus and Other Work<\/span><\/h3>\n

Christian Philipp M\u00fcller
\n<\/strong><\/span>Swiss Installation Artist<\/span><\/h3>\n
Monday, January 31, 2005<\/div>\n
5:00pm
\nAckerman Hall, Carlos Museum<\/div>\n
\n

Click here to view the flyer.<\/a><\/p>\n

\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Picasso’s Choice: Art and Commitment During the Cold War<\/span><\/h3>\n

Gertje R. Utley
\n<\/strong><\/span>Independent Scholar<\/span><\/h3>\n
Tuesday, April 15, 2003<\/div>\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Painting and Ideology Between Civil and Cold Wars: Luminism’s Landscapes of Conflict and Contradiction<\/span><\/h3>\n

Eric Rosenberg
\n<\/strong><\/span>Tufts University<\/span><\/h3>\n
Monday, April 17, 2000<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span><\/strong><\/h2>\n

Tom Sachs
\n<\/strong><\/span>Artist<\/span><\/h3>\n

Thursday, March 23, 2000<\/p>\n<\/div>\n

\n
\n

New Perspectives in Art History Lecture<\/span><\/strong><\/h2>\n

Bill Burke
\n<\/strong><\/span>Photographer and Book Artist<\/span><\/h3>\n
Tuesday, March 16, 1999<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

New Perspectives on Early Colonial Peruvian Art<\/span><\/h3>\n

Tom Cummins
\n<\/strong><\/span>University of Chicago<\/span><\/h3>\n
Monday, November 2, 1998<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

The Scarith of Scornello: An Etruscan Fraud in the Age of Galileo<\/span><\/h3>\n

Ingrid Rowland
\n<\/strong><\/span>University of Chicago<\/span><\/h3>\n
Saturday, November 22, 1997<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Stories in Black and Red: Mexican Pictorial Histories<\/span><\/h3>\n

Elizabeth H. Boone
\n<\/strong><\/span>Tulane University<\/span><\/h3>\n
Thursday, November 21, 1996<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Laughter, Sexuality, and Gender in Pompeian Wall Painting<\/span><\/h3>\n

John R. Clarke
\n<\/strong><\/span>University of Texas, Austin<\/span><\/h3>\n
Thursday, October 3, 1996<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Privilege and Narrative Cinema<\/span><\/h3>\n

Yvonne Rainer
\n<\/strong><\/span>Independent Filmmaker<\/span><\/h3>\n
Thursday, November 16, 1995<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

In the Light of Dante: Natural and Divine Light in Renaissance Painting from Fra Angelico to Michelangelo<\/span><\/h3>\n

Martin Kemp
\n<\/strong><\/span>University of St. Andrews, Scotland<\/span><\/h3>\n
Thursday, November 17, 1994<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

The Art of Conjuring, or How the Romantic Virtuoso Learned from the Enlightened Charlatan<\/span><\/h3>\n

Barbara M. Stafford
\n<\/strong><\/span>University of Chicago<\/span><\/h3>\n
Thursday, November 5, 1992<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Architecture as Social Space: Orientation and Images<\/span><\/h3>\n

David Summers
\n<\/strong><\/span>University of Virginia<\/span><\/h3>\n
Tuesday, November 5, 1991<\/div>\n
\n
\n

New Perspectives in Art History Lecture<\/span>
\n<\/strong><\/h2>\n

Bath Time: The Representation of the Bather in Late 19th-Century France<\/span><\/h3>\n

Linda Nochlin
\n<\/strong><\/span>Yale University<\/span><\/h3>\n
Monday, April 15, 1991<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Graduate Colloquium Life and Afterlife: Conversations in Art Historical Research Friday, April 3, 2026 9:30am-4:20pm PAIS 220 Click here to view the flyer. Endowed Colloquium Conversation with Curator Jan Stuart Jan Stuart Melvin R. Seiden Curator of Chinese Art, National Museum of Asian Art Friday, March 27, 2026 10:00am Carlos Hall Conference Room Click here … <\/p>\n

Continue reading “Past Events”<\/span><\/a><\/p>\n","protected":false},"author":5482,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/pages\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/users\/5482"}],"replies":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":110,"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":1210,"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/pages\/37\/revisions\/1210"}],"wp:attachment":[{"href":"https:\/\/scholarblogs.emory.edu\/arthistory\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}