{"id":2,"date":"2023-01-04T17:55:37","date_gmt":"2023-01-04T17:55:37","guid":{"rendered":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/?page_id=2"},"modified":"2023-01-04T19:30:47","modified_gmt":"2023-01-04T19:30:47","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/sample-page\/","title":{"rendered":"About Page"},"content":{"rendered":"\n<p class=\"has-base-color has-contrast-background-color has-text-color has-background has-medium-font-size\">The word \u201cBaroque,\u201d typically conjures notions of European masters creating theatrical displays celebrating the absolute monarchs and religious leaders of Europe. However, the political, cultural, and religious sentiments that formed on the European continent traveled well beyond its shores on the ships of merchants, missionaries, and colonists. In this blog we will examine Baroque art and architecture in its global context, considering how artistic styles and practices spread to and from the \u201cfour corners of the world.\u201d Particular attention will be paid to Rome as the diplomatic center of this global exchange through the study of early modern materials at Emory\u2019s Rose Library, Michael C. Carlos Museum, and Pitts Theology Library.<\/p>\n\n\n\n<p class=\"has-base-color has-contrast-background-color has-text-color has-background has-medium-font-size\">Simultaneously, we will consider how ideas and information spread from the ivory towers of academia to the public in the twenty-first century through exemplary museum exhibitions and digital projects that seek to engage a broad audience. Each week students will draw connections between the history of baroque art and advances in the public humanities today through weekly blog posts and written assignments. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The word \u201cBaroque,\u201d typically conjures notions of European masters creating theatrical displays celebrating the absolute monarchs and religious leaders of Europe. However, the political, cultural, &hellip;<\/p>\n","protected":false},"author":6789,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/users\/6789"}],"replies":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":1,"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":15,"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/pages\/2\/revisions\/15"}],"wp:attachment":[{"href":"https:\/\/scholarblogs.emory.edu\/globalbaroque\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}