In this module, you will learn about intervals, triads, and seventh chords.<\/p>\n
What makes harmony<\/strong>? Listen to the Emory Alma Mater.<\/strong><\/span><\/span><\/span><\/p>\n HARMONY<\/strong><\/span><\/span><\/p>\n In the<\/span> Overview of the elements of music, we defined harmony<\/strong> as<\/span> the vertical dimension of music, and w<\/span>e discussed how harmony and melody interact form a fundamental musical partnership<\/span>. <\/strong> While there are many ways to use the term harmony in relation to a vertical sonority, musicians often talk about harmony in parts \u2013 usually two, three, four, or even five parts. So, for example, a barbershop quartet<\/span> sings in four-part harmony<\/span>, and your a capella group or singers in your own band most likely sing in two or more parts. In this module, we will first study harmony in terms of intervals, triads, and seventh chords. Then we will explore how harmony can support, or accompany, a fluid melody, and how it can progress as a succession of chords<\/strong>, where the highest note may stand out as the melody.<\/span><\/p>\n HarmonyOverview.docx<\/a> <\/span> 1. Intervals <\/strong> Intervals1.doc<\/a><\/span> 2. Chords <\/p>\n","protected":false},"excerpt":{"rendered":" In this module, you will learn about intervals, triads, and seventh chords. What makes harmony? Listen to the Emory Alma Mater. HARMONY Do you hear two or more parts sounding together? This vertical dimension of music is harmony. While melody and harmony interact and rely on each other in music, indeed, the two elements form […]<\/p>\n","protected":false},"author":3927,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/users\/3927"}],"replies":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":1,"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":21,"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/pages\/20\/revisions\/21"}],"wp:attachment":[{"href":"https:\/\/scholarblogs.emory.edu\/introtheorycomp\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\n<\/strong><\/span><\/li>\n
\n<\/span><\/p>\n
\n<\/span><\/p>\n\n
\n<\/span><\/span><\/li>\n
\n<\/strong><\/span><\/span><\/p>\n\n
\n<\/span><\/li>\n<\/ul>\n\n
\n
\n<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n