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Intro to Film 2023

FILM 101-4 • Emory University • Fall 2023 • Professor Gregory Zinman

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Author: Luke Randall

Skinamarink: Something New in Horror (Viewer)

Posted on November 28, 2023November 28, 2023 by Luke Randall
https://mashable.com/article/skinamarink-explainer Horror is a genre that seems to have lost its touch in the 21st century. Besides a unique few, such as A Quiet Place (John Krasinski, 2018) and Ge... Read More

(Reader) The Dreamlike Aspect of Art Cinema

Posted on November 6, 2023November 6, 2023 by Luke Randall
In his article titled “The Art Cinema as a Mode of Film Practice,” David Bordwell describes art films as having a “certain drifting episodic quality.” Art films merely share this “drifting... Read More

(Viewer) Paris is Burning: Show Don’t Tell

Posted on November 1, 2023November 1, 2023 by Luke Randall
Paris is Burning (Livingston, 1990) is a documentary that showcases the livelihood, ambitions, and conflicts in the drag queen community in New York City in the late 80’s. The late 1980s w... Read More

SPOILERS-Killers of the Flower Moon: Parasites within a Culture (Extra Credit)

Posted on October 31, 2023October 31, 2023 by Luke Randall
Last Friday, I traveled fifteen minutes to see Killers of the Flower Moon (Scorsese, 2023) on the big screen. The film is classic Scorsese. It clocks in at 3 hours and 26 minutes with elaborate stor... Read More

(Searcher) Comparing Flashbacks in The Godfather: Part II and Citizen Kane

Posted on October 11, 2023October 11, 2023 by Luke Randall
            Citizen Kane (1941, Orson Welles) is a pioneering film in numerous aspects. Welles utilized precise deep focus, elaborate miniatures, and innovative lighting to give audiences ... Read More

An Analysis of Andre Bazin’s “The Myth of Total Cinema”

Posted on September 26, 2023September 26, 2023 by Luke Randall
In the second paragraph of “The Myth of Total Cinema,” Andre Bazin outlines his thesis with one simple quote: “The cinema owes virtually nothing to the scientific spirit.” It is important to n... Read More

(Viewer) The Brilliant Usage of Continuity Editing, Match on Action Cuts, and Mise En Scene in All that Heaven Allows

Posted on September 20, 2023September 20, 2023 by Luke Randall
What separates All that Heaven Allows from other romance films of its time? One can say the remarkable age gap between the two lovers or, perhaps, the colorful set design and serene winter feeling in ... Read More

Mise-en-scene and its importance in Wes Anderson’s The Grand Budapest Hotel

Posted on September 6, 2023September 6, 2023 by Luke Randall
Before diving into my blog post, attached is a visual analysis of The Grand Budapest Hotel from the Medium. https://medium.com/@davidleeds/beauty-at-a-distance-cinematic-techniques-of-the-grand-budape... Read More

Recent Posts

  • The cinematography that made one of the most iconic bank heist scene in “Heat”
  • The Role of the Nondiegetic Soundtrack in the Fast and Furious Series (Extra credit)
  • The significance of props and color in the Hunger Game (Extra credit)
  • Projections: the Intersection Between Neuroscience and Film
  • (Extra credit) Significance of the hug in Invincible

Recent Comments

  1. ajah on What is The Right Thing? (Extra Credit)
  2. Skye Li on The similarities between RRR and Chinese War Dramas
  3. Skye Li on Analysis of The Ballad of the Songbirds and Snakes-Spoilers (Searcher)
  4. Space on The “Naatu Naatu” Dance Sequence (Searcher)
  5. Skye Li on (Reader/Viewer) Smiley in ‘Do the Right Thing’
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