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Intro to Film 2023

FILM 101-4 • Emory University • Fall 2023 • Professor Gregory Zinman

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Category: Week 6 (9/26 + 9/28) • Editing II: “Alternative” Forms

Gravity from the POV of an Astrophysicist

Posted on September 27, 2023September 27, 2023 by Aagam Prakash
In the event that the video link above isn’t working here is the URL: https://www.youtube.com/watch?v=6Di8hFlDx2U This video is a short clip from Business Insider of astrophysicist Neil DeGrasse... Read More

Cinematography in Gravity

Posted on September 27, 2023September 27, 2023 by Max Marte
In this video the head camera operator Peter Taylor explains the intricacies of a three axis camera. I thought it was interesting to learn that by toying around with the dutch camera angle the proceed... Read More

The Power of Alfonso Cuaron’s Longshot (searcher)

Posted on September 27, 2023September 27, 2023 by Marian Silvera Hariton
Hello Class! This week, we watched Alfonso Cuaron’s 2013 film Gravity. I deeply admire Cuaron’s work in his films Roma (my favorite black and white movie, which I highly recommend) and Har... Read More

(Viewer) Camera Movement and Isolation in Gravity

Posted on September 27, 2023September 27, 2023 by Logan Viera
Camera movement, while innocuous at face value, can drastically change the audience’s understanding of the film and its connection to the characters. Alfonso Cuarón’s Gravity is a masterc... Read More

Searcher – Gravity can be used to answer several existential questions.

Posted on September 27, 2023November 28, 2023 by Leonard
In my search, I found this great analysis that focused more on the spiritual and allegorical meanings found within “Gravity” and less on the idea of it being a survival thriller as marketed. It em... Read More

(Viewer) Lubezki’s Combination of Cinematic Techniques in Gravity

Posted on September 27, 2023September 27, 2023 by Jordyn Roskind
In Gravity, cinematographer Emmanuel Lubezki’s use of cinematography, mise-en-scène, and editing all work together to reveal the overall theme of the film, resilience. There are many long takes in ... Read More

Reading Eisenstein’s dialectic montage film language and Bazin’s total cinema theory

Posted on September 25, 2023September 25, 2023 by Liz Zuo
From reading ‘A Dialectic Approach to Film Form’, I discovered that the whole idea of Sergei Eisenstein’s theory towards arts, more specifically filmmaking, is the presentation and construction ... Read More

(Reader) Einstein’s and Bazin’s Thoughts on Film

Posted on September 25, 2023September 25, 2023 by Corey Elenowitz
This week’s readings were different from the typical textbook reading. They were essays by two majorly influential film theorists: Sergei Einstein and Andre Bazin. Sergei Einstein was a soviet f... Read More

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