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Intro to Film 2024

FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Month: September 2024

Form and Realism in Film

Posted on September 30, 2024September 30, 2024 by Rowan Miller
This week’s reading was a bit more difficult for me than our typical textbook reading. I had to reread sections of the articles multiple times to fully understand exactly what the author was arg... Read More

Perspective and Realism in Film

Posted on September 30, 2024September 30, 2024 by Allee Bourgeois
In A Dialectic Approach to Film Form, Sergei Eisenstein believes in the idea of marrying art and science. He utilizes suggestive editing and the conflict between what is real and what is not to demons... Read More

The Impact of Rock Hudson on The AIDS Epidemic

Posted on September 30, 2024September 30, 2024 by Tony Lee
Article : https://www.biography.com/actors/rock-hudson-coming-out-aids All That Heaven Allows is a romance movie of the 1950s, meticulously focusing on the usage of colors and continuity editing to em... Read More

The Cycle of Ideas and Reality through Film

Posted on September 30, 2024September 30, 2024 by Victoria Keane
While reading this week’s passages, I couldn’t help but think of a quote I once came across: “Are we an identity with ideas and experiences conformed to it, or are we ideas and experiences f... Read More

Does regularity destroy art and what truly is cinema?

Posted on September 29, 2024September 29, 2024 by Meredith Farnsley
When reading the first reading, A Dialectic Approach to Film Form, the part of the text that stood out to me the most was the idea that art should have no set form and regularity destroys art. This st... Read More

Eisenstein & Bazin: a Bit Muddy

Posted on September 29, 2024September 29, 2024 by Jaime Soto Jr.
I would like to believe that everybody else struggled with the readings as much as I did, so I will provide a brief summary of Eisenstein and Bazin’s respective ideas. It appears that Eisenstein... Read More

Rock Hudson’s Double Life & an Alternate Interpretation of “All That Heaven Allows”

Posted on September 25, 2024November 6, 2024 by Ben Salit
https://www.theguardian.com/film/2023/oct/06/rock-hudson-secret-sex-life-all-that-heaven-allowed During the 1950s, Rock Hudson was a popular “masculine and All-American” film heartthrob. L... Read More

Alternatives to continuity editing: Searcher 9/25

Posted on September 25, 2024September 25, 2024 by Maxwel Gurkovic
These two videos show different examples of alternatives to continuity editing. For Starters, it shows an eyeline is an imaginary line that shows where a person is looking. In films eyelines are match... Read More

How Color reflects Cary’s Emotions in All that Heaven Allows

Posted on September 25, 2024September 25, 2024 by Gordon Taylor
All that Heaven Allows Article At the onset of watching Douglas Sirk’s All that Heaven Allows, I was immediately drawn to the stark contrast of the opening scene’s color pattern. Cary Scott exits ... Read More

The Power of Gesture in All That Heaven Allows

Posted on September 25, 2024September 25, 2024 by Jodi Onyonyor
Link to article: https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands/all-heaven-allows-douglas-sirk-mise-en-scene#:~:text=articles%20%2F%20Comment%20%2F%20Bradlands-,All%20that... Read More
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Categories

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  • Week 1: Intro to Intro to Film (8/29)
  • Week 10 (10/29 + 10/31) • Genre
  • Week 11 (11/05 + 11/07) • Documentary
  • Week 12 (11/12 + 11/14) • Experimental + Art Film
  • Week 13 (11/19 + 11/21) • Ideology and Critique
  • Week 15 (12/03 + 12/05) • New Frontiers
  • Week 2: (9/3+9/5) • Film Form
  • Week 3: (9/10 +9/12) • Mise-en-scène
  • Week 4 (9/17 + 9/19) • Cinematography
  • Week 5 (9/24 + 9/26) • Editing I: Continuity Editing
  • Week 6 (10/1 + 10/3) • Editing II: “Alternative” Forms
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  • Week 8 (10/15 + 10/17) • Narrative
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