Dancing Happiness:: Lyrics & Choreography in “Singin’ In the Rain (1952)”

Despite the frequent use of musical and theatric sequences, Kelly describes the choreography for Singin’ In the Rain as intentionally simple. The film’s dance sequences were meant to be playful and depict a feeling of pure happiness only furthered by lyrics of musical numbers. Putting Singin’ In the Rain in conversation with the golden age of Hollywood musicals there is an explicit nod to creating a sense of utopia through entertainment. The contrast of Kelly with his surroundings as he literally sings in the rain and is ogled by pedestrians transports the viewer to the same utopic feeling that Lockwood has discovered in his love for Kathy.

This article tracks specific elements of choreography and shot production which create motifs relating to Lockwood’s liberating feelings of love. One such motif is described as the “Child-like splash” in Lockwood’s dance through the rain. The article argues it is motifs that stick with the viewer and give the film its lighthearted and happy denomination. Referencing an interview with Kelly, dance choreography was meant to track directly with lyrics of songs. Motifs of happiness are contrasted by negative elements such as rain which convey the “glorious feeling” of Don Lockwood and the film more generally. The deep dive into specific elements of song and dance sequences explain intangible impressions the viewer is left with after watching the classic film Singin’ In the Rain.