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Intro to Film 2024

FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Author: Hannah Baskin

Wheelchairs in Wicked (2024): A Look at The Conversation of Disability Representation

Posted on December 4, 2024December 4, 2024 by Hannah Baskin
It is without a doubt that the way disability is portrayed in the media today is drastically different from how the subject was approached in the past. Evidence of this shift can be found in a convers... Read More

Time Cut: Netflix’s Treacherous Attempt at Time Travel

Posted on November 17, 2024November 17, 2024 by Hannah Baskin
Audiences find comfort in films where they know what to expect. When I pressed play on Netflix’s new original film Time Cut (2024), I was confident that my next ninety minutes would comprise of high... Read More

The Experimental Experience For Those On Screen

Posted on November 13, 2024 by Hannah Baskin
My initial reaction to Holy Motors (Carax 2012) was that the film created an uncomfortable and unnerving experience for its audience. My secondary thought was about Carax’s creative process, as I wo... Read More

Contemporary Combinations: A Look at Genre Mixing in Saltburn (2023)

Posted on October 28, 2024October 28, 2024 by Hannah Baskin
This week’s reading in Film Art focuses on genre, highlighting specific conventions utilized in certain types of films and noting the common themes they express. The author discusses technical eleme... Read More

Citizen Kane and The Other Oldies: How Does It Compare?

Posted on October 18, 2024October 18, 2024 by Hannah Baskin
When I watched Citizen Kane, I could not help but compare it to the other older movies we have watched in class. The ways in which this week’s feature is both similar and different from Rear Window,... Read More

Where is Today’s “Zone of Interest”?

Posted on October 2, 2024October 2, 2024 by Hannah Baskin
The Zone of Interest (Jonathan Glazer, 2023) is a historical film featuring the Hoss family, who resided directly outside of the Auschwitz concentration camp during World War II. Auschwitz was the lar... Read More

The Art of Cinematography: Asking not just What, but How?

Posted on September 16, 2024September 16, 2024 by Hannah Baskin
If mise-en-scéne refers to the objects placed in front of a camera, cinematography refers to how the camera captures said objects. This relates to the actual filming as well as post-production editin... Read More

A Closer Read at the On-Screen Typography in “The Grand Budapest Hotel”

Posted on September 11, 2024September 11, 2024 by Hannah Baskin
The term mise-en-scéne relates to all of the elements placed in front of a camera during a film. Wes Anderson displays mastery over all of these concepts in his film The Grand Budapest Hotel. However... Read More

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