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Intro to Film 2024

FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Category: Week 6 (10/1 + 10/3) • Editing II: “Alternative” Forms

The Zone of Interest: Thoughts and Questions

Posted on October 1, 2024October 1, 2024 by Patrick
As we do in class, I will start with likes and dislikes. I personally did not like the movie. It was not something that really interested me. I don’t know why exactly. Maybe it is because I am n... Read More

Form and Realism in Film

Posted on September 30, 2024September 30, 2024 by Rowan Miller
This week’s reading was a bit more difficult for me than our typical textbook reading. I had to reread sections of the articles multiple times to fully understand exactly what the author was arg... Read More

Perspective and Realism in Film

Posted on September 30, 2024September 30, 2024 by Allee Bourgeois
In A Dialectic Approach to Film Form, Sergei Eisenstein believes in the idea of marrying art and science. He utilizes suggestive editing and the conflict between what is real and what is not to demons... Read More

The Cycle of Ideas and Reality through Film

Posted on September 30, 2024September 30, 2024 by Victoria Keane
While reading this week’s passages, I couldn’t help but think of a quote I once came across: “Are we an identity with ideas and experiences conformed to it, or are we ideas and experiences f... Read More

Does regularity destroy art and what truly is cinema?

Posted on September 29, 2024September 29, 2024 by Meredith Farnsley
When reading the first reading, A Dialectic Approach to Film Form, the part of the text that stood out to me the most was the idea that art should have no set form and regularity destroys art. This st... Read More

Eisenstein & Bazin: a Bit Muddy

Posted on September 29, 2024September 29, 2024 by Jaime Soto Jr.
I would like to believe that everybody else struggled with the readings as much as I did, so I will provide a brief summary of Eisenstein and Bazin’s respective ideas. It appears that Eisenstein... Read More
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