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Intro to Film 2024

FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Portrait of a Lady on Fire and Memories

Posted on September 18, 2024September 18, 2024 by Dila Batum
One of the first aspects of Portrait of a Lady on Fire that caught my attention was how vibrant the colors were in the film. Psychologically, humans are more likely to remember their memories to be mo... Read More

Cinematography of Art and its Function in Portrait of a Lady On Fire

Posted on September 18, 2024September 18, 2024 by Jack Messick
Told as a memory which explains the backstory of one of Marianne’s paintings, art serves a critical role in the narrative of the film. Cinematography is used throughout Portrait of a Lady On Fire to... Read More

Director’s Intentions and the Female Gaze: Portrait of a Lady on Fire

Posted on September 18, 2024September 18, 2024 by William Shaulis
To me what really stands out about Portrait of a Lady on Fire is the director’s focus on the female gaze. There are barely any men in the entire film, and those that are, have roles like the rowboat... Read More

Cinematography in Portrait of a Lady On Fire

Posted on September 18, 2024September 18, 2024 by Joe Chong
When Marianne is teaching her painting class at the start of the film, I realized that Portrait of a Lady on Fire was a story, similar to the Grand Budapest Hotel, told by memory. We are seeing HéloÃ... Read More

Mise-en-Scène, The Art of Placement

Posted on September 18, 2024September 18, 2024 by Tony Lee
“Mise-en-Scène”When we look at this term for the first time, we can notice that it doesn’t quite seem like an English word. In fact, “Mise-en-Scène” is a French word th... Read More

Using cinematography to accentuate relationship in Portrait of a Lady on Fire

Posted on September 18, 2024September 18, 2024 by Tai Jackson
Portrait of a Lady on Fire is a masterclass on how to film a queer romance movie. I’ve seen many other great films like it, but none with the same attention to detail and commitment to its heartbrea... Read More

The Cinematography of “Portrait of a Lady on Fire”

Posted on September 17, 2024September 17, 2024 by Patrick
Claire Mathon AFC on Portrait of a Lady on Fire In an article by Red.com, french cinematographer Claire Mathon gives us an insight into filming Portrait of a Lady on Fire and the behind-the-scenes of ... Read More

Loneliness in “The Grand Budapest Hotel”

Posted on September 17, 2024September 18, 2024 by Colin Ference
Article: https://thebestfckingyearsofyourlife.substack.com/p/the-exquisite-loneliness-of-the-grand In The Grand Budapest Hotel, the eponymous hotel acts as an extravagant retirement home. At the onset... Read More

How colors are used in The Grand Budapest Hotel

Posted on September 17, 2024September 17, 2024 by Anna Howard
In film you can name just about a million different ways color can be utilized. Some films use it to distinguish characters, some films use it to distinguish setting, some films use it to engage the v... Read More

How Cinematography Makes Scenes Come to Life

Posted on September 16, 2024September 16, 2024 by Zachary Shao
Mise-en-scene deals with the elements that are displayed on screen. Background, props, acting, staging, and lighting all play a vital role in providing the viewer context for what is currently happeni... Read More
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