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Intro to Film 2024

FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Tag: film

The Wickedly Talented, Wicked (2024)

Posted on December 4, 2024December 4, 2024 by Anna Howard
Wicked is the 2024 screen adaptation of the Broadway musical of the same name. Starring Ariana Grande and Cynthia Erivo, it is the story about the witches of Oz before the events of the 1939 movie ‘... Read More

Leo Carax explains nothing: the significance of being confused in Holy Motors

Posted on November 13, 2024November 13, 2024 by Anna Howard
Q&A: Leos Carax Explains ‘Holy Motors’ and Why He Wants to Make a Superhero Movie After watching Holy Motors I like many others have an abundance of questions. What did I just watch? What does... Read More

The Tragic Future of the “Paris is Burning” Subjects: How AIDs and Violence Cut Their Lives Short

Posted on November 6, 2024November 6, 2024 by Ben Salit
While watching Jennie Livingston’s Paris is Burning, my favorite moments were the interview segments with the main subjects. These powerful scenes allowed us to connect with these drag queens ou... Read More

Significance of Genres within film

Posted on October 28, 2024October 28, 2024 by Anna Howard
The most interesting thing I took from the reading was the conventions and rules that are placed into genres. When you think of genres you think of very general and flexible categories for films and o... Read More

The innovative genius of Citizen Kane

Posted on October 16, 2024October 16, 2024 by Anna Howard
When I first began watching I can admit I was very lost and uninterested in the plot. It was at times hard to follow and the quality of the audio made it hard to understand at times. Despite this I co... Read More

The Importance of the Audience when considering Narrative Form

Posted on October 11, 2024October 11, 2024 by Ben Salit
This week’s readings on narrative form both highlighted distinctive time periods throughout film history, with Gunning focusing on the industry pre-1906 and the textbook on all films thereafter.... Read More

Behind the Writer’s Desk: Betty Comden and Adolph Green

Posted on October 9, 2024October 9, 2024 by Tai Jackson
Singin’ in the Rain: A Conversation with Betty Comden and Adolph Green I found this interview to be an extremely insightful look into the writing of Singin’ in the Rain (1952), providing us wi... Read More

Sound Design in Singing in The Rain and the integration of music within it

Posted on October 8, 2024October 9, 2024 by Anna Howard
Throughout this film, the music and sound design is very classic for its time. Whimsical music paired with technicolor visuals. The meticulous detail that was upheld in this movie for its sound design... Read More

Christian Friedel and his experience making The Zone of Interest: Historical responsibility and how this film connects to our present.

Posted on October 2, 2024October 2, 2024 by Anna Howard
Interview: A Human Face: Christian Friedel on The Zone of Interest | Interviews | Roger Ebert While watching The Zone of Interest many questions are raised. What is the significance of making a movie ... Read More

How Color reflects Cary’s Emotions in All that Heaven Allows

Posted on September 25, 2024September 25, 2024 by Gordon Taylor
All that Heaven Allows Article At the onset of watching Douglas Sirk’s All that Heaven Allows, I was immediately drawn to the stark contrast of the opening scene’s color pattern. Cary Scott exits ... Read More
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