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FILM 101-4 • Emory University • Fall 2024 • Professor Gregory Zinman

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Tag: mise-en-scène

Staging and Framing in The Grand Budapest Hotel

Posted on September 11, 2024September 11, 2024 by Zachary Shao
Beyond what was contained in the narrative of Zero Moustafa, The Grand Budapest Hotel conveys subliminal motifs through deliberate patterns in staging and framing. The frequent display of the Steadica... Read More

The Grand Budapest Hotel, a story within a story

Posted on September 11, 2024September 11, 2024 by Ria Panneer
Being a lover of aesthetics, it’s always a pleasure to watch a Wes Anderson film. I’ve only ever seen The Darjeeling Limited, which I recommend to everyone (it’s a wonderful movie). With The Gra... Read More

The Grand Budapest Hotel: Initial Insights & Observations

Posted on September 11, 2024September 11, 2024 by Lester Martin
“The Grand Budapest Hotel” is a comedy/adventure film directed by Wes Anderson. Though I have previously watched and largely enjoyed “Fantastic Mr. Fox,” one of Anderson’... Read More

Beyond Words: The Art of Storytelling Through Mise-en-scène

Posted on September 10, 2024September 10, 2024 by Jodi Onyonyor
Chapter 4 of Film Art: An Introduction delves into the captivating world of mise-en-scène, a French term meaning “putting into the scene.” Originally used to describe the art of directing plays, ... Read More

Why the Mise-En-Scène of a Film Shapes its Identity

Posted on September 9, 2024 by Gordon Taylor
Mise-En-Scène is one of the most important elements in cinematography, setting the tone of a scene through a variety of spacing, lighting, props, and more. In Chapter Four of David Bordwell’s F... Read More

Mise-En-Scène: The Possibilities are Endless

Posted on September 9, 2024September 12, 2024 by Ben Salit
Mise-En-Scène is one of the most powerful aspects of filmmaking. Multiple elements – costumes and makeup, acting and staging, lighting, and setting – must work together in harmony to achi... Read More
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