{"id":1038,"date":"2025-11-08T20:51:14","date_gmt":"2025-11-08T20:51:14","guid":{"rendered":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/?p=1038"},"modified":"2025-11-08T20:51:15","modified_gmt":"2025-11-08T20:51:15","slug":"night-moves","status":"publish","type":"post","link":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/2025\/11\/08\/night-moves\/","title":{"rendered":"Night Moves"},"content":{"rendered":"\n<p>Watching <em>Night Moves<\/em> for the first time, especially as my first crime movie, is feel eye-opening. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17601762634997.pic-1024x768.jpg\" alt=\"\" class=\"wp-image-1039\" srcset=\"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17601762634997.pic-1024x768.jpg 1024w, https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17601762634997.pic-300x225.jpg 300w, https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17601762634997.pic-768x576.jpg 768w, https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17601762634997.pic.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The film\u2019s slow tension and moral ambiguity show how crime stories aren\u2019t always about action\u2014they\u2019re often about human conflict and hidden motives. The story follows private detective Harry Moseby as he investigates the disappearance of a teenage girl, but what starts as a simple missing case turns into a web of lies and betrayal. As the plot unfolds, the mystery becomes less about solving a crime and more about understanding people\u2019s hidden motives. <\/p>\n\n\n\n<p>It might make you realize how complex people\u2019s decisions can be when faced with guilt and fear, leaving you thinking about what justice and truth really mean.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><br>This cat is cute by the way.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17611762634998.pic-768x1024.jpg\" alt=\"\" class=\"wp-image-1040\" style=\"width:253px;height:auto\" srcset=\"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17611762634998.pic-768x1024.jpg 768w, https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17611762634998.pic-225x300.jpg 225w, https:\/\/scholarblogs.emory.edu\/introtofilm2025\/files\/2025\/11\/17611762634998.pic.jpg 900w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Watching Night Moves for the first time, especially as my first crime movie, is feel eye-opening. The film\u2019s slow tension and moral ambiguity show how crime stories aren\u2019t always about action\u2014they\u2019re often about human conflict and hidden motives. The story follows private detective Harry Moseby as he investigates the disappearance of a teenage girl, but [&hellip;]<\/p>\n","protected":false},"author":9764,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1038","post","type-post","status-publish","format-standard","hentry","category-extra-credit"],"_links":{"self":[{"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/posts\/1038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/users\/9764"}],"replies":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/comments?post=1038"}],"version-history":[{"count":1,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/posts\/1038\/revisions"}],"predecessor-version":[{"id":1041,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/posts\/1038\/revisions\/1041"}],"wp:attachment":[{"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/media?parent=1038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/categories?post=1038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/introtofilm2025\/wp-json\/wp\/v2\/tags?post=1038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}