{"id":9062,"date":"2021-03-31T16:21:00","date_gmt":"2021-03-31T16:21:00","guid":{"rendered":"https:\/\/scholarblogs.emory.edu\/marbl\/?p=9062"},"modified":"2023-08-17T18:03:18","modified_gmt":"2023-08-17T18:03:18","slug":"womens-history-month-the-rose-remembers-virginia-woolf-and-sylvia-plath","status":"publish","type":"post","link":"https:\/\/scholarblogs.emory.edu\/marbl\/2021\/03\/31\/womens-history-month-the-rose-remembers-virginia-woolf-and-sylvia-plath\/","title":{"rendered":"Women\u2019s History Month: The Rose Remembers Virginia Woolf and Sylvia Plath"},"content":{"rendered":"\r\n<p><em>Willie Lieberman is a third-year student in the History honors program specializing in European Studies.&nbsp;<\/em><\/p>\r\n<p><span style=\"font-weight: 400\">The <\/span><span style=\"font-weight: 400\">Stuart A. Rose Manuscript, Archives, and Rare Book Library is shining a spotlight on female authors to celebrate Women\u2019s History Month. Two of the most important writers of the 20th century are Virginia Woolf (1882-1941) and Sylvia Plath (1932-1963). Virginia Woolf was a vital contributor to literary modernism, and Sylvia Plath\u2019s bold works inspired generations of feminists. The two never met, but these women\u2019s lives crossed in more ways than one. They both pioneered the confessional narrative and often utilized this method to convey their experiences as women. Ultimately, they lost their lives to the impact of mental illness.<\/span><\/p>\r\n<p><span style=\"font-weight: 400\">Sylvia Plath clearly admired Virginia Woolf and possibly saw herself in the author. The Rose Library has Sylvia Plath\u2019s personal copy of Woolf\u2019s <\/span><i><span style=\"font-weight: 400\">To The Lighthouse <\/span><\/i><span style=\"font-weight: 400\">(1927), one of her most popular and acclaimed novels.&nbsp;<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9054\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse-200x300.jpg 200w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse-681x1024.jpg 681w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse-768x1155.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-1_Plaths-copy-of-To-The-Lighthouse.jpg 798w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\r\n<p>Image 1: Plath\u2019s copy of To The Lighthouse<\/p>\r\n<p><span style=\"font-weight: 400\">Plath heavily annotated her copy, and her handwriting is seen below.<\/span><\/p>\r\n<div id=\"attachment_9055\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9055\" class=\"size-medium wp-image-9055\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-2_Plaths-handwritten-annotation.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9055\" class=\"wp-caption-text\">Image 2: Plath\u2019s handwritten annotation<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">It seems that Plath may have annotated sections that spoke to her personal life and troubled relationship with her husband.<\/span><\/p>\r\n<div id=\"attachment_9056\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9056\" class=\"size-medium wp-image-9056\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-3_Additional-annotation.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9056\" class=\"wp-caption-text\">Image 3: Additional annotation<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">Plath\u2019s husband was Ted Hughes who was a prolific poet himself. The Rose Library is home to both his papers and his personal library, which is how we obtained Plath\u2019s copy of <\/span><i><span style=\"font-weight: 400\">To The Lighthouse<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p>\r\n<div id=\"attachment_9057\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9057\" class=\"size-medium wp-image-9057\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-4_Plaths-signature-and-the-Ted-Hughes-Collection-bookplate.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9057\" class=\"wp-caption-text\">Image 4: Plath\u2019s signature and the Ted Hughes Collection bookplate<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">Plath\u2019s relationship with Ted Hughes inspired many of her poems, especially those in her final collection <\/span><i><span style=\"font-weight: 400\">Ariel<\/span><\/i><span style=\"font-weight: 400\"> that was published posthumously in 1965. The Rose Library holds an uncorrected proof copy of <\/span><i><span style=\"font-weight: 400\">Ariel<\/span><\/i><span style=\"font-weight: 400\"> annotated by Plath\u2019s close friend and fellow confessional poet, Anne Sexton.<\/span><\/p>\r\n<div id=\"attachment_9058\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9058\" class=\"size-medium wp-image-9058\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-5_Ariel-1965.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9058\" class=\"wp-caption-text\">Image 5: Ariel (1965)<\/p><\/div>\r\n<div id=\"attachment_9059\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9059\" class=\"size-medium wp-image-9059\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-6_Anne-Sextons-signature.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9059\" class=\"wp-caption-text\">Image 6: Anne Sexton\u2019s signature<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">Sexton annotated sections that she believed referred to Plath\u2019s rocky marriage to Ted Hughes or lines that showed Sylvia\u2019s mental state in her last work before her suicide.. Below, Sexton underlined such passages, adding \u201cfreedom is death.\u201d <\/span><\/p>\r\n<div id=\"attachment_9060\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9060\" class=\"size-medium wp-image-9060\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-7_Sextons-annotation.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9060\" class=\"wp-caption-text\">Image 7: Sexton\u2019s annotation<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">Perhaps the most notable of Sexton\u2019s annotations is for Plath\u2019s poem \u201cAriel.\u201d Plath named the book after this poem, so this was clearly a central or important poem to her. Sexton\u2019s addition reads:&nbsp;<\/span><\/p>\r\n<blockquote>\r\n<p><i><span style=\"font-weight: 400\">\u201cSuicidal cauldron of morning is both an image of rebirth and a place where one is cooled, and the red solar eye in Freudian terms is the eye of the father, the patriarchal superego which destroys and devours with a single glace\u201d<\/span><\/i><\/p>\r\n<\/blockquote>\r\n<div id=\"attachment_9061\" style=\"width: 310px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9061\" class=\"size-medium wp-image-9061\" src=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation-300x200.jpg 300w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation-1024x681.jpg 1024w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation-768x511.jpg 768w, https:\/\/scholarblogs.emory.edu\/marbl\/files\/2021\/03\/Image-8_Sextons-Ariel-annotation.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9061\" class=\"wp-caption-text\">Image 8: Sexton\u2019s \u201cAriel\u201d annotation<\/p><\/div>\r\n<p><span style=\"font-weight: 400\">Sylvia Plath and Virginia Woolf suffered hardships in their lives, but despite their pain they became two of the most revered writers of the 20th century. Their lives were cut short, but their legacies remain strong as their works garner widespread readership well into the twenty-first century. The Rose Library is proud to celebrate these women and their accomplishments during Women\u2019s History Month.&nbsp;<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Willie Lieberman is a third-year student in the History honors program specializing in European Studies.&nbsp; The Stuart A. Rose Manuscript, Archives, and Rare Book Library is shining a spotlight on female authors to celebrate Women\u2019s History Month. Two of the most important writers of the 20th century are Virginia Woolf (1882-1941) and Sylvia Plath (1932-1963). <a class=\"more-link\" href=\"https:\/\/scholarblogs.emory.edu\/marbl\/2021\/03\/31\/womens-history-month-the-rose-remembers-virginia-woolf-and-sylvia-plath\/\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":6194,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[506],"tags":[572],"class_list":["post-9062","post","type-post","status-publish","format-standard","hentry","category-literature-and-poetry","tag-virginia-woolf-womens-history-month"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/posts\/9062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/users\/6194"}],"replies":[{"embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/comments?post=9062"}],"version-history":[{"count":4,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/posts\/9062\/revisions"}],"predecessor-version":[{"id":9067,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/posts\/9062\/revisions\/9067"}],"wp:attachment":[{"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/media?parent=9062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/categories?post=9062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scholarblogs.emory.edu\/marbl\/wp-json\/wp\/v2\/tags?post=9062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}