Month: December 2014

I feel out of breath listening to this. It’s interesting to see the contrasting styles between the saxophonist and the pianist even in the same song. The saxophonist (Ravi Coltrane?) just kept going on and on and on and kept up a rapid pace. When the pianist started his solo, I almost thought he messed…

I really like how this music is suited for dancing and how fast and energetic it is. I have also never heard a saxophone go as high as he did at around 4:00, so that’s a cool thing to discover. The saxophonist (I assume it’s Gordon Goodwin, but I’m not entirely sure) plays relatively long…

https://www.youtube.com/watch?v=IgYNRz8y6R8 This recording of On Green Dolphin Street features and more melodic, almost classical feel version of the song. The guitar solo has great licks and excellent ideas such as arpeggios around chord changes. I also like the bass solo even though it was muddled by how low it was.

Miles Davis’s solo is very lyrical and smooth. While it wasn’t too difficult to transcribe the pitches, I had trouble with his rhythm. This might have been in part due to the “swing” feeling. I think he mostly played over the chord changes, but when he did play through them, they sounded effortless.

Keith Jarrett uses a lot of pentatonic based melody lines, and he plays through the chord changes. Although his technical skill is impressive as always, I’m always more intrigued by the way that his melodies tend to sound like songs that were precomposed. To be able to generate melodies that sound so natural in an…

This is Wes Montgomery’s version of On Green Dolphin Street. The bassist, Ron Carter uses scales and arpeggios to form his solo. It’s an interesting version because only the bassist solos. I’m using 1:08-1:55 for my transcription project.