Global Baroque Art
Bibliography of Global Baroque Art

Bibliography of Global Baroque Art

Bailey, Gauvin Alexander. “The New Plant of the Primitive Church: The Jesuit Reductions among the Guarini in Paraguay, 1609-1768.” Art on the Jesuit Missions in Asia and Latin America, 1542-1773 (Toronto: University of Toronto Press, 1999).

Domenici, Davide and Laura Laurencich Minelli. “Domingo de Betanzos’ Gifts to Pope Clement VII in 1532-1533: Tracking the Early History of Some Mexican Objects and Codices in Italy.” Estudios de Cultura Náhuatl 47 (2014): 169-209.

Gallori, Tania, “Collecting feathers: A journey from Mexico into Italian Collections (16th-17th century).” In Collecting East and  West, Susan  Bracken,  Andrea  M.  Gáldyy  Adriana Turpin  (eds.),  pp.  61-81. Cambridge: Cambridge Scholar Publishing, 2013.

Hamann, Byron Ellsworth. “The Mirrors of Las Meninas: Cochineal, Silver, and Clay.” The Art Bulletin 92, no. 1/2 (2010): 6–35.

Freedberg, David. The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History. University of Chicago Press, 2002.

Fromont, Cécile. “Collecting and Translating Knowledge Across Cultures: Capuchin Missionary Images of Early Modern Central Africa, 1650–1750.” In Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall, 134–54. University of Pennsylvania Press, 2011.

Horodowich, Elizabeth and Lia Markey (eds.), The New World in Early Modern Italy, 1492–1750. Cambridge: Cambridge University Press, 2017.

Kobayashi, Hiromitsu. “Suzhou Prints and Western Perspective: The Painting Techniques of Jesuit Artists at the Qing Court, and Dissemination of the Contemporary Court Style of Painting to Mid-Eighteenth-Century Chinese Society through Woodblock Prints.” In The Jesuits II: Cultures, Sciences, and the Arts, 1540-1773, edited by John W. O’Malley, Gauvin Alexander Bailey, Steven J. Harris, and T. Frank Kennedy, 262–86. Toronto: University of Toronto Press, 2006.

Porras, Stephanie. “Going Viral? Maerten de Vos’s ‘St. Michael the Archangel.’” Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 66 (2016): 54–79.

Ripollés, Carmen. “Introduction to the Global Baroque.” Smarthistory. January 18, 2022, accessed May 6, 2022, https://smarthistory.org/global-baroque-introduction/.

Russo, Alessandra, “Cortés’s objects and the idea of New Spain. Inventories as spatial narratives”, Journal of the History of Collections 23, no. 2 (2011): 229-252.

The Sacred Made Real: Spanish Painting and Sculpture 1600–1700, by Xavier Bray et al. London: National Gallery Company Limited, 2009.

Schreffler, Michael J. “‘No Lord without Vassals, nor Vassals without a Lord’: The Royal Palace and the Shape of Kingly Power in Viceregal Mexico City.” Oxford Art Journal 27(2) (2004):157-171.

Schnapp, Alain. “Ancient Europe and Native Americans: A Comparative Reflection on the Roots of Antiquarianism.” In Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall, 58–80. University of Pennsylvania Press, 2011.

Weston, Victoria Louise, ed. Portugal, Jesuits and Japan: Spiritual Beliefs and Earthly Goods. McMullen Museum, Boston College, 2013.

Weststeijn, Thijs. “Introduction: Global Art History and the Netherlands.” Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 66 (2016): 6–27.