Advice from Res. Life

When I drove up to Raoul Hall on move-in day, I was greeted by three eager-looking sophomores ready to help. After exchanging brief introductions, they proceeded to lug all of the boxes to my room, leaving my mother and me empty-handed. Although these students had just moved in a few days ago themselves, they were committed to making my move-in day experience seamless.

Emory’s culture of designating Resident Advisors (RAs) and Sophomore Advisors (SAs) to oversee freshmen’s college transition and well-being speaks to the strength of the greater school community. These students may end up in the same classes, clubs, and parties as their residents, but they commit themselves to helping new students face the same challenges they have.

While Residence Life staff are all motivated by different goals and appreciate different aspects of their roles, they come together to foster community for themselves and for incoming students.

Freshman, reach out to your RAs and SAs. Use them as resources. They have found their places at Emory, and they are here to help you find yours.

Anisha Verma’s Emory profile.

 

 

 

 

 

 

 

 

*What’s your name?*

Anisha: Anisha Verma.

*Where are you from?*

Anisha: Wisconsin

*What Emory class are you in?*

Anisha: I’m a senior.

*What Emory clubs do you belong to?*

Anisha: I am in ECAST which is the Emory Climate Analysis Solutions Team, and EUSAC which is the Emory University Sustainability Advisory Council. And I’m part of Campus Kitchens. Um, I’m really into running. I like reading, writing, working.

*What motivated you to be an SA/RA?*

Anisha: I really liked my RA my freshman year. She was just a lot like me, I guess, in terms of like of how she was super sarcastic and people thought she was being mean but she was just being herself and, like, making jokes, and I have that problem a lot too. So I just kind of like try to establish some ground form of, like, friendship before I start, you know, cracking jokes, being mean, that sort of thing, yeah. And, um, I thought that Res. Life would be a cool and welcoming community to be a part of throughout the next three years at Emory. And yeah I really like helping the First Years with their adjustment to Emory.

*What has been the most rewarding part so far?*

Anisha: I think when like I see my residents from sophomore and junior year, and they’re like still really excited to see me, and they — because I think there’s like no way to tell whether or not you’re doing a good job as an RA, and so like when there – they still wanna be your friend and wanna be around you it kinda makes me feel that I’m doing something right.

*What was the hardest part of your freshman year?*

Anisha: Um, all my friends joined Greek life, and I did not, so they were kind of like we don’t really need you anymore because we have all of these new, hip, and cool friends who are in my sorority and fraternity. And then, I was kind of left alone with no friends. (Laughs) But it’s fine.

*What would you tell your freshman self?*

Anisha: I would tell my freshman self to stop talking as much, because I still have this problem where I’ll have something to do but then somewhere I’ll see someone and I’ll be like you know this conversation will be worth more in the long run than me studying for this test and getting a good grade, which isn’t always true. Um, so, you know like prioritize more efficiently I guess.

*What do you think makes the Emory community so unique?*

Anisha: There’s an Emory community? I don’t know. I think people are just kind of like doing their own thing. You’ll know what I mean when you like spend more time here.

Josh Fishbach’s Emory profile.

 

 

 

 

 

 

 

 

*What’s your name?*

Josh: Hi, my name is Joshua Fischbach.

*Where are you from?*

Josh: I’m from Ann Arbor, Michigan.

*What Emory class are you in?*

Josh: I am part of the Class of 2020.

*What Emory clubs do you belong to?*

Josh: I really like soccer, music, uh, different cultures, language. So I’m part of the club soccer team at Emory. I’m part of, um, Emory Students for Israel. I’m, uh, hopefully going to be part of TEDx at Emory. Um, and then I do, uh, and then I do, um, Coaching Corps. Um, I’m also part of Res. Life, so I’m a Sophomore Advisor.

*What motivated you to be an SA/RA?*

Josh: I thought it’d be a good way to get involved in the Emory community, uh, and it’d also be a great way for me to reach out and meet, uh, a diverse range of people from different backgrounds and be able to help them transition into college.

*What has been the most rewarding part so far?*

Josh: So far I’ve really liked, uh, the relationships that I’ve formed, um, both with my fellow SA — fellow Res. Life staff members and also with, um, the residents.

*What was the hardest part of your freshman year?*

Josh: The hardest part of my freshman year was probably, um, figuring out ways to manage my time, uh, efficiently so that I wouldn’t, um, be stressed out or constantly drag out work so definitely organization — time management in order to succeed here.

*What would you tell your freshman self?*

Josh: I would tell my freshman self to, you know, don’t worry about anything, like, social pressure, academic pressure, you know…it’s all trivial…just be happy and enjoy yourself, where you are in life.

*What do you think makes the Emory community so unique?*

Josh: There’s a diverse range of people in the community, so you can find really any type of person that would sort of — sort of fit into any type of category or label that you want, so there’s –there’s people for everyone here which is really nice. There’s not just one type of student or one type of person.

Caroline Rosen’s Emory profile.

 

 

 

 

 

 

 

 

*What’s your name?*

Caroline: Caroline Rosen.

*Where are you from?*

Caroline: Pennsylvania.

*What Emory class are you in?*

Caroline: I’m the Class of 2020.

*What Emory clubs do you belong to?*

Caroline: I’m on the club gymnastics team. Obviously, I’m involved in Res. Life, and I’m on the executive board for Emory Miracle.

*What motivated you to be an SA/RA?*

Caroline: I was very close with my SAs and RAs last years, and I really liked their role of getting to know the residents and helping people adjust to college, and I wanted to do that too.

*What has been the most rewarding part so far?*

Caroline: Meeting my residents.

*What was the hardest part of your freshman year?*

Caroline: The hardest part of my freshman year…was probably getting sick. That sucks. And like the whole hall was sick, it was a nightmare.

*What would you tell your freshman self?*

Caroline: Um, calm down. Everything will be fine in terms of your social life, and academics, and everything

*What do you think makes the Emory community so unique?*

Caroline: I think we all are, you know, very involved in academics, but also really value spending time with spending time with the people we care about and being involved, uh, outside of academics.

Kevin Niu’s Emory profile.

 

 

 

 

 

 

 

 

*What’s your name?*

Kevin: My name is Kevin Niu.

*Where are you from?*

Kevin: I’m from Canton, Ohio.

*What Emory class are you in?*

Kevin: I’m part of the Emory Class of 2020.

*What Emory clubs do you belong to?*

Kevin: Some of my interests would include definitely music, I play piano, I’m an avid rock climber. Um, in terms of extra-curriculars I’m part of the club swim team here, I’m part of Student Programing Council, and as well as Emory Student Ambassadors.

*What motivated you to be an SA/RA?*

Kevin: Being an SA sounded like a really good opportunity to meet people while also having fun. The idea of second year housing just didn’t seem appealing to me, in the sense that nobody was going to try and establish a sense of community. Um, and I thought first-years would be more willing to have engaged conversations with people who they lived near — they live near.

*What has been the most rewarding part so far?*

Kevin: I think it’s been really neat to see everybody kind of find their way through Emory and see, like, who these people were when they got here and kind of the things they get involved with afterwards, and kind of see people discovering new things.

*What was the hardest part of your freshman year?*

Kevin: I think the hardest part of freshman year was there were a lot of times where you’d feel very alone just because you had a lot of friends, but you’ve only known them for, like, two or three months and so you don’t really trust them the way that you did people back home. And I think that was one of the most significant challenges, learning how to cope with issues and problems on your own.

*What would you tell your freshman self?*

Kevin: I would probably tell my freshman self that the biggest way to, like, succeed in college is to just push through, uh, because there’s a lot of stuff that happens in college, um, a lot of times where you feel like, you know, you’re just under way too much stress and under way too much pressure. Um, and I think being able to find things to look forward to is a great way to kind of keep yourself moving.

*What do you think makes the Emory community so unique?*

Kevin: I think the fact of the matter is that anybody who really tries to fit in to the Emory community will fit into the Emory community. I think at other places in it at like state schools or extremely small liberal arts college it is very possible that it’s not a good fit for someone, but I think at Emory, like, everybody is, like, welcome and everybody has the potential to find a community here.

Autism is Changing Emory

Have you ever wondered why there are door levers and door knobs? Have you ever noticed the different types of faucet handles found in bathrooms? Though at first you may only think of these designs as products of architectural advancements, they all serve a bigger purpose in our world as they help people suffering with disabilities and injuries. Whether it’s the simple design of a ramp alongside stairs, or an indent in a curb next to a crosswalk, these architectural modifications all fall under what researchers call “The Universal Design”. As these researchers continue to discover unique ways to make our lives more efficient, some have started to wonder how we can apply this universal theory to the classroom. Though children with disabilities used to receive individual attention, more and more have been assimilating into a classroom setting forcing researchers to identify new forms of accommodation.

Dr. Jennifer Sarrett opens her presentation, “Autism in the Classroom”.

Jennifer Sarrett from Emory’s Center for the Study of Human Health is at the forefront of implementing the Universal Design for Learning on our campus. She crafts her syllabus and each lesson to be accessible to all students, with or without learning disabilities. After noticing a downward trend in graduate rates and post-graduation employment in autistic students, Sarrett knew she needed to make a change.

“These students aren’t being set up for success in the same ways that other students are being set up for success,” she said. “We have autistic students on campus and we want to continue to have autistic students on campus, so we need to figure out what works best for them.”

In order to increase success for students with learning disabilities, Sarrett provides accommodations in the classroom to benefit their learning capacity. She alters her lectures and presentations to suit the needs of all students, whether they be visual, auditory, or sensory. Sarrett’s efforts to better serve autistic and learning-disabled students in class are helping not only her students, but also the Emory community as a whole to become more aware and accommodating. By including all of her accommodations in her syllabus, she is telling her students that her classroom is a safe and open space. Sarrett stresses using a language of difference, not deficit, as some people are different, not worse. She is spreading a sense of respect and normalization for autistic people across campus.

Sarrett shares resources about autism in the classroom that can be utilized by professors as well as students.

When Professor Sarrett opened the audience to questions, it seemed as if every faculty member in attendance immediately raised their hand with a concerning look. These gestures of anxiety instantly made us realize that these professors and TAs were quite apprehensive and inexperienced when approaching students with disabilities. One by one they nervously asked about techniques regarding accommodations and shared episodes of frustration from their classes. With these teachers seeming to lack any knowledge in the field of autism, they desperately tried to obtain any advice they could get from Professor Sarrett. One question in particular sparked an interesting conversation in the audience. A woman questioned how these accommodations truly prepared students for the “real-world” when the working environments can often be harsh and traditional. With most of the audience nodding in agreement, Sarrett made sure to be diplomatic in her response and stressed that a lot of these accommodations are found in companies around the world. This was honestly hard to believe for many as they continued to question the applications to life after college.

The audience, consisting primarily of professors, prepares to leave after Sarrett’s presentation and Q&A.

Emory, as an institution, has a duty to prepare its students for the “real world”. In other words, the school is providing its students with the tools they need to be successful in their future endeavors. Though Emory tries its best to be an accommodating and tolerant school, it is easy to question how such accommodations in college can help students be prepared for careers that are not so tolerant. While Emory acts as a safe haven for social differences and disabilities, this progressiveness is not necessarily universal, making it difficult for students to adapt. With hundreds of schools around the country taking on this Universal Design of Learning, the real question is: Will different companies and career paths also adapt to these accommodations? Or will they continue to be conservative with their working style?

 

RESOURCES

MLA & SDS Access Guidelines

“Designing Collective Access: A Feminist Disability Theory of Universal Design” Disability Studies Quarterly, Aimi Hamraie

Accessible Syllabus

 

By Michael Malenfant and Kate Monger

Anne Waldman’s Passionate Performance

The Beat Generation & Counterculture, 1940-1975: an exhibition celebrating the contributions of the writers, poets and artists of America’s Beat Generation. This exhibition reconsiders postwar literature and the ways it mirrored, predicted, and remade the culture around it. With its emphasis on the influential group known as “the Beats,” the show rediscovers a number of fascinating countercultural writers and remains the first major consideration of the Beats in the U.S. in nearly a decade.

The Beat Generation emerged as a key part of the U.S. counterculture in the years following World War II. The exhibition showcases the Beat spirit of exploration and experimentation around practicing politics, making art and building community.

This is an exhibition that looks at the power of literature to change our perceptions and to influence our culture. Thus, having an impact that is multi-generational and cross-disciplinary. All are invited to study, peruse and to be inspired by such creative energy. There remains a diverse group of people within this movement, united despite their differences by a commitment to radical experimentation and resistance to the mainstream; They have women and people of color writing, who congruently want to share their stories.

As we ventured into the realm of poetry for one hour in the Oxford Road Building, we began to evaluate and reminisce upon the environment in which the Beat took place. Co-curated by English PhD candidates Aaron Goldsman and Sarah Harsh, the pre-exhibition event began with the introduction of Anne Waldman’s endeavors.

As a prominent figure within the Beat Poetry Generation, Anne Waldman has been recognized as an organizer and instigator for the experimental poetry community; She has worked as an editor, teacher, performer, and cultural/political activist. Waldman, in her own words, is “drawn to the magical efficacies of language as a political act.”

Waldman has raised the bar as a feminist, activist and powerful performer. She has read in the streets, as well as numerous larger venues such as the Dodge Literary Festival in the U.S. and the Jaipur Literature Festival in India, while continuing to teach poetics all over the world. She remains a highly original “open field investigator” of consciousness, committed to the possibilities of radical shifts of language and state of mind, in order to create new modal structures and montages of attention. Waldman has received numerous awards and honors for her poetry, including the American Book Awards’ Lifetime Achievement, the Dylan Thomas Memorial Award, the National Literary Anthology Award, and the Shelley Memorial Award for poetry.

As Waldman entered the room, her long, dark hair, draped in black clothing and complemented with gold accents, set the tone for her poetry readings; She seemingly embodied the spirit and soul of her presentation. We began to recognize Waldman’s strong, firm stance as she spoke in a deep and fiery tone, which emphasized her rhetoric and purposeful language. Her words, wrought with passion and embrace, conveyed a lively and powerful voice. As she spoke, we glanced around at the ubiquitous captivation that took place within each individual of her audience: all eyes, bodies, and ears were focused directly on her.

Waldman’s poetic hymns are deeply connected to her work as an activist, along with her practice of Tibetan Buddhism. As she remains true to her artistic integrity, Waldman utilizes transitions which speak upon her performativity, often including rhetorical usage of chants, song, and emphatic reading.

As we employed Anne Waldman’s stylistic approach to poetry, we curated a poem which embodies the many aspects of our rapidly changing ecosystem. Just as Waldman conveys her message on environmental change, we harnessed her methodology within our reading. The Beat Generation, from 1940-1975, was an era in which poetry and art were simultaneous commentaries on American culture and political issues. Now, maintaining consistent ideologies, writers like Anne Waldman have brought back to life the importance and value of these messages in today’s society. Her galvanizing performances, extensive collaborations, and radical mission to inform our world on constantly changing policies and environment have reminded us just how powerful the effect of poetry can be.

Waldman’s provision and emphasis upon poignant views within her writing have conveyed not only the importance poetry has on our rapidly changing world, but how to properly implore the mechanisms of rhetoric within her poems. Thus, emanating her message tenfold. We highly recommend attending one of Anne Waldman’s performances, as we guarantee you’re in for a passionate, lively, informative experience like none other.

If you want to learn more about upcoming shows in the Beat Generation Exhibition, utilize this link : http://arts.emory.edu/calendar/?trumbaEmbed=view%3Devent%26eventid%3D124582818

McGavin, Maureen. “Emory exhibition celebrates America’s Beat Generation.” Emory News Center, 15 Sept. 2017, news.emory.edu/stories/2017/09/upress_beats_exhibition/campus.html. Accessed 1 Oct. 2017.

Jenna Gursky and Daquon Wilson