All That Heaven Allows – Colors and Windows

As a viewer, I noticed that Cary’s emotions would often be expressed through the colors on screen. When things were romantically well and hopeful between her and Ron, the world seemed warmer and brighter (almost glowing). But when they had conflict and Cary herself had inner conflict, the color scheme would turn cold and shadowy.

The window is continually used to express Cary’s trapped feelings; she is always separated from what she really wants by glass. It is like she is watching her own life from the outside; she is so caught up in worrying about how her neighbors and her family will see and think about her (trying to keep everyone else happy), that she can not fully live in the moment. She is not able to express how she really feels because her life is being framed like a window. The windows are often depicted as frosted, suggesting her struggle to break free from the life she has always known.

The scene with the rainbow of colors shining through the window is very interesting. In that scene, Cary is listening to her daughter, trying to take in someone else’s view of her relationship with Ron. The rainbow lighting is symbolic; it is showing just how many conflicting feelings and perspectives Cary is experiencing all at once.

When Cary looks at the empty landscape outside the window, it seems to reflect her isolation and longing for connection. When the film changes to winter, the snow also seems to reflect her loneliness after she loses Ron. However, in the last scene, even though Ron is hurt, the color scheme became brighter (and maybe even more dream-like), and a deer appeared, which seems to symbolize hope.

Questions to consider: 

Did you notice any other recurring objects or symbols besides windows and snow that seemed important?

How did you interpret the use of color changes throughout the film? Did any moment stand out to you visually?

Comments

One response to “All That Heaven Allows – Colors and Windows”

  1. Mary Puryear Avatar
    Mary Puryear

    Hi, Alina! I love that you chose to concentrate on the colors and windows in analyzing this film. One moment that stood out to me because of its lighting was when Cary got home from Sara’s party. She turned off the living room lights, but Ned stopped her to engage in a conversation. Both Ned and Sara were largely engulfed in darkness, but light remained cast across Cary’s face— more specifically, across her eyes. Perhaps this is a cheesy interpretation, but this lighting decision could suggest that Cary can “see the light” or see things as they really are. The way that darkness swallowed up the rest of her body could correspond to Cary’s emotions: I imagine she felt extinguished and trapped by the darkness/ugliness/hatefulness of Ned’s comments. I would absolutely agree with your point that colors, lights, and shadows were employed in this movie to communicate Cary’s emotions.

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