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Edward Said’s evaluation and critique of the set of beliefs known as Orientalism forms an important background for postcolonial studies. His work highlights the inaccuracies of a wide variety of assumptions as it questions various paradigms of thought which are accepted on individual, academic, and political levels. The Terms The Orient signifies a system of representations framed by […]

Museums and Colonial Exhibitions

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The tradition of exhibiting people of color in Western societies has existed since the earliest encounters between Europeans and indigenous populations in the New World and in Africa. Indeed, on his return to Spain after his first voyage to the New World in 1492, Columbus brought several Arawaks to Queen Isabella’s court, where one of them […]

Maps in Colonialism

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Introduction Maps as we know them today are the result of millennia of study and observation. Unlike modern maps, which focus on the exact lay of the land, the creations of ancient European mapmakers emphasized roads, cities, rivers, and safe harbors, since other details were not as important to travelers and traders at the time […]

Female Genital Cutting

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The knife cut down the guardian of the village today. Now he is dead and gone. Before the village was dirty, But now without the guardian it is clean. So look at us, we are only women and the men have come to beat the tam-tam. They have phalli like the elephants. They have come […]

Neruda, Pablo

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Sonnet XVII (100 Love Sonnets, 1960) I don’t love you as if you were the salt-rose, topaz or arrow of carnations that propagate fire: I love you as certain dark things are loved, secretly, between the shadow and the soul. I love you as the plant that doesn’t bloom and carries hidden within itself the […]

Blixen, Karen (Isak Dinesen)

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Biography Karen Blixen remains a complex figure in the writing and history of colonial Africa. Author, storyteller, and early colonizer, she helped to define Africa and its people for the many Europeans who read her novels, chiefly Out of Africa and Shadows on the Grass. Criticism of her work frequently shifts from admiration of her form to outrage […]