This name is a reference to André Malraux’s Le Musée Imaginaire (the imaginary museum or the museum without walls) a concept that challenged traditional museums by proposing a boundless collection of art that exists in the imagination. Malraux, through his concept, envisioned and anticipated digital technologies, social media, and the emergence of the virtual museum but since virtual collections exist outside our imagination, I reinterpret his idea to encompass the space of imagination and creativity in the digital presentation of African art in museum collections. I
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