Expanded Photography brings together my hybrid and experimental works—projects that extend photographic practice through material transformation, sequencing, and the interplay between images and text. These works explore how photographs behave when they are unfolded, recomposed, or set into new spatial or temporal arrangements.
This section includes Curving, a formal study of lines, curves, surfaces, and spatial tensions in built environments; a body of artist books, particularly accordion formats that develop through tactile unfolding and nonlinear reading; and the modular panels derived from these book-objects, which function as autonomous photographic sequences in exhibition contexts.
It also comprises a flashing montage, a time-based digital work built on rapid transitions, and several photo–text projects created in dialogue with activists and other artists.
Together, these works form the experimental core of my practice—photography expanded through abstraction, sequence, materiality, and alternative modes of reading.