The photographs gathered in this section reflect the diversity of my more direct photographic practice since 2022, ranging from portraits and performances to landscapes, street scenes, and details. My drag photographs are made during live performance and follow the shifting expressions and gestures of the artists as they unfold, while my ongoing project Virtual 19th Century Queer Photography reworks contemporary portraits through alternative processes to imagine queer presence in nineteenth-century public space.
Alongside these bodies of work, I also present photographs made in streets, natural settings, and everyday environments. These images are not tied to a single conceptual framework but arise from attentiveness to light, color, surface, and the subtle shifts produced by framing. In series such as On Liminality, landscapes become a site for exploring perceptual thresholds, where space, memory, and emotion transform at the horizon. Other images—urban fragments, architectural lines, details—approach abstraction through the way they isolate or reorient familiar scenes.
Together, these works form an open field within my practice, one that moves between portraiture, performance, and observation, and that remains grounded in the possibility of seeing the world differently through the photograph.