Sin miedo a las ruinas: Anarquismo, vanguardias artísticas y la crisis de representación en España (1930-1937) Luis González Barrios Luis González Barrios es Profesor Asociado de Lengua y Literatura Hispana en Spelman College. Al hablar de “vanguardias artísticas”, o “vanguardias históricas”, no es extraño el empleo del adjetivo calificativo “anárquico” que, a veces ambiguamente, alude […]
Seeing the Unseen by Susan Elizabeth Gagliardi Susan Elizabeth Gagliardi is Associate Professor in the Art History Department. How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts […]
Karel van Mander and his Foundation of the Noble, Free Art of Painting by Walter S. Melion Walter S. Melion is the Asa Griggs Professor of Art History. Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the […]
Spatial Revolution by Christina E. Crawford Christina E. Crawford is Assistant Professor of Modern and Contemporary Architecture in the Art History Department. Spatial Revolution is the first comparative parallel study of Soviet architecture and planning to create a narrative arc across a vast geography. The narrative binds together three critical industrial-residential projects in Baku, Magnitogorsk, and Kharkiv, […]
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