Lecturers

Matthew Francis Rarey
[Spring 2025]

On Maps, Race, and Diasporic Self-Fashioning in Early 19th-Century Brazil

Niall Atkinson
[Spring 2016]

Seeing Sound: Mapping Florentine Soundscapes

Nicholas Bauch
[Spring 2016]

Enchanting the Desert: Visualizing the Production of Space at the Grand Canyon

Debra Taylor Cashion
[Spring 2018]

METAscripta: Continuing a Legacy of Shared Cultural Heritage

Nicole Coleman
[Spring 2018]

Design for Humanistic Inquiry

Jodi Cranston
[Fall 2017]

Mapping Paintings, or How to Breathe Life into Provenance

Pamela Fletcher
[Spring 2016]

Mapping the Commercial Gallery System in Nineteenth-Century London

Zephyr Frank
[Fall 2021]

Rural Crisis and Urban Growth in Latin America: Measuring Change with Remote Sensing and Google Street View

Daniel Greenberg
[Spring 2019]

Mapping the Manual of Birds: A New Approach to Understanding Chinese Natural History Painting

S. Wright Kennedy
[Spring 2016]

The Potential of Historical GIS and Spatial Analysis in the Humanities

Paul Jaskot
[Spring 2019]

Visualizing Krakow under Nazi Occupation: Exploring Digital and Analog Methods to Analyze the Built Environment of the Holocaust

Lauren F. Klein
[Fall 2018]

Data by Design: A Cultural History of Data Visualization, 1786-1900

George Philip Le Bourdais
[Spring 2016]

Tracing The Arctic Regions: Mapping Nineteenth-Century Photographs of Greenland

Stephanie C. Leone
[Fall 2018]

Nodes and Edges: Architecture in Baroque Rome under Innocent X Pamphilj

Matthew Lincoln
[Fall 2016]

Computing with Genre in Paintings, Prints, and Purchases: Questions of Category and Measure

Lisa Poggiali
[Fall 2017]

Digital Development: Mapping Kenya’s “Silicon Savannah”

Ellen Prokop
[Spring 2016]

A Modern Old Master? Using Historical GIS to Chart El Greco’s Influence on the French Avant-Garde

Emily Pugh
[Spring 2020]

Art History Now: Map and Territory, Image and Object

Nancy Um
[Fall 2020]

Mapping the Discipline, Plotting the Data of the History of Art