Tag Archives: Painting

Therapeutic Days in Paris

While walking through the halls of Musée d’Orsay looking at the masterpieces on the walls, I felt at peace. A calmness washed over me as I carefully studied each brush stroke of Monet and Cezanne. I tested my knowledge of Impressionism and Post-Impressionism and tried to understand the feelings being conveyed by Monet and Cezanne with each detail they added. Even though there was chattering around me, the museum seemed still. I sat on one of the benches amongst the artwork and wrote a journal entry about the difference between Monet and Cezanne. There was something therapeutic about being in this museum and reflecting on the styles of different artists. Throughout my time at the Musée d’Orsay, I felt a type of serenity that I had yet to experience in the bustle of Parisian streets. As I left the museum, and entered the real world, all my emotions rushed back. I was making lists of what work I had to do, and the peace of mind vanished. There was something about being in that space and the artwork surrounding me that served as a therapy and I wanted to know how I could recreate it. Lucky for me, when we were painting our neurons, I felt that same calmness and I wondered what it was about art and painting that helped me relax.

Cezanne’s Le Joueur de cartes

Monet’s Japanese Bridge

 

 

 

 

 

 

Art therapy is a form of treatment used to help patients express emotion, relieve stress, and cope with illnesses through mediums like painting, photography, drawing, and modeling. The goal of art therapy is to help the patient grow and better understand themselves in order to progress and reach a level of acceptance of who they are and how they feel (Psychology Today, 2019). It serves as a method for allowing the patient to express themselves creatively while the therapist tries to decode messages and nonverbal cues throughout the artwork (Psychology Today, 2019). Using the visual imagery and other sensory networks, we are able to use artwork to understand the relationship between mind and body (Hass-Cohen and Findlay, 2015). Walking through Musée d’Orsay and painting our photoreceptors felt a lot like art therapy to me, even though they weren’t exactly the same. Certain pieces at the museum spoke more to me because of my emotional connection and while painting, I was expressing my feelings through the choice of color and style.

My interpretation of photoreceptors

In neuroscience, studies have shown the use of art therapy in helping people undestand more nonverbal cues and vocalize those cues into a narrative (Hass-Cohen and Findlay, 2015) For example,  in treating post traumatic symptoms, researchers used art therapy as a mechanism of bridging the gap between the unspoken and emotion (Tinnin, 1990). Traumatic moments are often nonverbal because talking about them and the feelings attached is painful and therefore, a nonverbal treatment like art therapy may be more effective with patients (Gantt and Tinnin, 2008). Patients suffering from PTSD were treated with art therapy as a form of vocalizing the unspoken feeling and expressing part of the memories that have been burried to effectively heal the patient internally (Gantt and Tinni, 2008). Additionally, studies done on female textile creators have shown that making these beautiful handcrafts have increased their moods, helped them feel grounded, and eased their ability to cope with stressors (Collier, 2011). These women used textile making to change their moods and reported the frequency and well-being after creating this artwork. The reseracher found that those women who crafted more frequently were more rejuvenated and successful compared to women who did not craft (Collier, 2011).

After understanding these studies, I found that many of the reasons I felt so calm after the museum and painting was because I was engaging in art therapy. Using my emotions and expressing them outwardly helped bring peace and quiet internally!

References

  1. Art Therapy. (2019). Retrieved June 6, 2019, from https://www.psychologytoday.com/us/therapy-types/art-therapy
  2. Collier, A. F. (2011) The Well-Being of Women Who Create With Textiles: Implications for Art Therapy, Art Therapy, 28:3, 104-112, DOI: 1080/07421656.2011.597025
  3. Gantt, L., & Tinnin, L. W. (2008, December 27). Support for a neurobiological view of trauma with implications for art therapy. Retrieved from https://www.sciencedirect.com/science/article/pii/S0197455608001081
  4. Hass-Cohen, N., & Findlay, J. C. (2015). Art Therapy et the Neuroscience of Relationships, Creativity, et Resiliency: Skills and practices. Retrieved from https://books.google.fr/books?hl=en&lr=&id=9gudBAAAQBAJ&oi=fnd&pg=PT11&dq=clinical neuroscience art therapy&ots=Xz_U8ZYZBS&sig=URDlxg8jTGwekMjmWt4MJpFFUlQ#v=onepage&q=clinical neuroscience art therapy&f=false
  5. Tinnin, L.W. (1990). Biological processes in nonverbal communication and their role in the making and interpretation of art. The American Journal of Art Therapy, 29, pp. 9-13

Name that Painting

Bonjour from France! I am so excited to be posting my first blog here in Paris. I have had such an amazing first week and a half. This city is so beautiful and has so much to offer. One of the parts of Paris I was so excited for before coming here was the art. Paris is known for its beautiful art and amazing museums. One of my favorite artists is Van Gogh (cliché, I know. But his paintings are beautiful). So you can imagine my excitement when we had the opportunity to go as a group to the L’Atelier des Lumières. This is a beautiful experience where art is projected onto the walls of the room, with background music and movement as opposed to the normal still painting. One of the exhibits is called Van Gogh Starry Night, and it includes many of his different paintings come to life before your eyes.

The Olive Trees by Van Gogh at L’Atelier des Lumières

One of the things that has always fascinated me most about Van Gogh’s paintings, and post-impressionist paintings in general, is the ability for us to recognize the scene even though it is never perfectly clear. I realized this is an amazing task that our mind is able to achieve through object recognition. Object recognition is just what it sounds like, but the mechanisms supporting it are very complicated, interesting, and intricate. Object recognition calls on many regions including the visual cortex as well as many structures in the temporal lobe of the brain (Bar et al., 2001). Object recognition calls on bottom-down processing, which is a process in which we receive visual information and then call on higher processes to understand the full picture. However, it has also been observed that top-down processing is more important than previously realized. Top-down processing is when higher functions, or previously stored information, affects the perception we are creating. For example, our memory can have an effect. Our brain takes information from our memory system to fully fill in the details of the image we are looking at (Bar et al., 2007). This may explain why I could recognize which painting was being displayed in the exhibit even before it was fully in my view.

Only Part of Starry Night shown at L’atelier des Lumières

Along with this, partially analyzed images or incomplete images can be recognized before all of the information is received (Bar, 2003). This is why even when an object in a Van Gogh painting isn’t blurry or not the full picture, we can still recognize the scene in front of us.

Wheatfield with Crows by Van Gogh. The image is blurry and a bit unclear, but you can still tell what it is.

Another fascinating thing about object recognition is the emotion we feel when viewing certain objects. I am sure everyone has an experience with art that has made them feel some sort of emotion, as I did at the L’Ateliers exhibit. Before studying this topic, I would assume that the emotion we feel comes after we are able to detect an object. However, there are multiple studies that now say our emotions can actually affect our final perception of an object. One study says that our prediction of an object includes its relevance and value, before we are consciously aware of the object we are observing (Barret and Bar, 2009). Another study expanded on this, looking at our emotional perception of faces and the way it can be influenced without our knowledge. If a happy or negative face is shown quickly and not entering consciousness, then we will perceive a neutral face shown directly after as having more emotion (Siegel et al., 2018).

This was very interesting to me, because it means the context or environment around us, or even the mood that we are in, may completely change our perception of an object. The feeling that I perceive when looking at Van Gogh’s Starry Night will be different than someone else’s. Also, as stated above, our different memories and experience could change the way in which we perceive the painting as well.

It is amazing what our brain is able to accomplish. Not only are we able to recognize objects before we have the entire picture, but our emotional processing of that object starts very early on in the process as well.  This is just part of the reason Van Gogh’s painting have always amazed me. He has the ability to create a scene that isn’t quite right, but we know what it is showing anyway. He is able to let your mind fill in the rest of the details. Not only this, but each perception of his paintings are completely different based off our own experience. I know my personal experience leads to a beautiful painting with lots of emotion.

Self Portrait by Van Gogh shown at L’Atelier des Lumières

 

 

Works Cited

Bar, M., Tootell, R. B., Schacter, D. L., Greve, D. N., Fischl, B., Mendola, J. D., . . . Dale, A. M. (2001). Cortical Mechanisms Specific to Explicit Visual Object Recognition. Neuron,29(2), 529-535. doi:10.1016/s0896-6273(01)00224-0

Bar, M. (2003). A cortical mechanism for triggering top-down facilitation in visual object recognition. J Cognitive Neuroscience,15, 600-609.

Bar, M. (2007). The proactive brain: Using analogies and associations to generate predictions. Trends in Cognitive Sciences,11(9), 372. doi:10.1016/j.tics.2007.08.004

Barrett, L. F., & Bar, M. (2009). See it with feeling: affective predictions during object perception. Philosophical transactions of the Royal Society of London. Series B, Biological sciences364(1521), 1325–1334. doi:10.1098/rstb.2008.0312

Siegel, E. H., Wormwood, J. B., Quigley, K. S., & Barrett, L. F. (2018). Seeing What You Feel: Affect Drives Visual Perception of Structurally Neutral Faces. Psychological science29(4), 496–503. doi:10.1177/0956797617741718

Image 1,2 and 4-  my own images

Image 3: Wheatfield with Crows – Van Gogh Museum. (n.d.). Retrieved from https://www.vangoghmuseum.nl/en/collection/s0149V1962