Tag Archives: visual impairment

Views (not from the 6)

Throughout our time in Paris, we have seen beautiful artwork in the form of paintings, music, sculpture, dance, and much more. Art is all about perception and I have been so grateful to be able to see and experience Monet’s use of color or Van Gogh’s use of texture. I have had the opportunity to be moved by their brush strokes and see the way they can turn an ordinary scene into a masterpiece. As I walked through the Musée d’Orsay and Musée Rodin, I was in awe of what I was seeing. I could see the level of detail and the individual brush strokes that were so meticulously planned. I had a completely different understanding of how they viewed the world because of their artwork. Looking at Monet’s series of the water lilies, I could tell how light affected his work. Seeing Rodin’s Thinker in real life showed me how much he focused on the hands and facial expressions. Just by seeing the artwork, there was so much I could discern about the artist and time.

Van Gogh’s Wheat Fields

Rodin’s Thinker

 

 

 

 

 

 

 

However, not everyone has the same privilege as I do. People suffering from visual impairments, specifically cortical blindness, do not have the same opportunities as I do to experience and appreciate the visual arts. The way they can perceive art is significantly different because they can’t see the details like we can. This, however, doesn’t mean they can’t be a part of the visual art world! There are a lot more ways to engage visually impaired patients and bring their perspectives of the world to the forefront.

A study done in Poland has suggested that even those with visual impairments can create artwork that is recognizable by individuals without impairments (Szubielska, 2018). In this study, the author asked patients with cortical blindness and others less severe forms of visual impairment to come explore the arts in Poland through guided tours. The author wanted to allow the patients to feel more comfortable with visual art before asking them to attempt to make their own. These visually impaired individuals were given the opportunity to go through art workshops and at the end, their work was displayed to the public for exhibition (Szubielska, 2018). The artwork was shown in very dim lighting or

Sculpture made by visually impaired artist

viewers were given blindfolds to recreate how a lot the visually impaired artists perceived the world. The author found that sculptures made were easier to make out because of their three-dimensional characteristics (Szubielska, 2018).  Even though there was no analysis or calculation of significance, this study shed light on the effects of visual impairments on creativity and helped the general public understand that art can be created without sight (Szubielska, 2018).

 

Through this new platform, people walked through the exhibit and got to experience art through a unique perspective and comprehend the struggles visually impaired people face every day. For example, one visually impaired artist drew a stairwell as a way of expressing his voice that stairs are difficult to maneuver for visually impaired people (Szubielska, 2018). Exposure to this typeof art help shape perspective because recurring experiences help shape the way we perceive the world (Snyder et al, 2015). By displaying the artwork and allowing visually impaired individuals to express themselves creatively, the increase in attractiveness of their work increases because repeated perception of the same stimulus makes them more attractive (Snyder et al, 2015). Overall, even though this exhibition in Poland was very subjective, it was a great start to demonstrating differences in perception and how these experiences can help us gain a broader perspective. Hopefully it can lead to exhibitions by visually impaired artists in Paris and work by Van Gogh and Rodin displayed for visually impaired people to enjoy and appreciate as well!

 

References

Snyder JS, Schwiedrzik CM, Vitela AD, Melloni L (2015) How previous experience shapes perception in different sensory modalities. Frontiers in Human Neuroscience9.

Szubielska M (2018) People with sight impairment in the world of visual arts: does it make any sense? Disability & Society33:1533–1538.

 

Imagaes

Photo 1 and 2 were taken by me

Photo 3: Szubielska M (2018) People with sight impairment in the world of visual arts: does it make any sense? Disability & Society33:1533–1538.

What do Welders and Van Gogh have in common?

(Sounds like a bad joke, but I promise there is an answer.)

Recently in class we talked about the interesting life of Vincent Van Gogh. Van Gogh had many health problems, one of which he is infamous for: cutting off his own ear. Besides that, he was also afflicted with hallucinations, anxiety, mania, and delirium, just to name a few. The ultimate diagnosis regarding his mental state was never made clear but Van Gogh also had other problems not related to mental health. One problem concerned his vision and the yellow tint that is present in most of his work. There are several circulating hypotheses that describe why this is.

(Yellow) Vase with Fifteen (Yellow) Sunflowers by Van Gogh

Some say this yellow characteristic is attributable to artistic preference. Paul Gauguin, a friend of Van Gogh’s once commented on Van Gogh’s excessive use of the color yellow stating: “Oh yes, he loved yellow, this good Vincent… those glimmers of sunlight rekindled his soul” (Marmor and Ravin, 2009). Other experts attribute this characteristic to possible digitalis intoxication, which causes xanthopsia, a color deficiency (Lee, 1981). What exactly is digitalis? Digitalis purpurea commonly known as foxglove, is a plant with tubular flowers which is now known to be toxic to humans. Today the active ingredient in the plant (digoxin) is used to treat heart rhythm irregularities in small quantities (“Digitalis toxicity”, 2019). However, back in the day, digitalis was used to treat epilepsy, which Van Gogh was diagnosed with by Dr. Gatchet.

Portrait of Dr. Gatchet with a foxglove plant

Xanthopsia is an example of an acquired color vision deficiency. The possibility of acquiring a color vision deficiency is also demonstrated in one study that examines the color vision deficiency prevalence in welders. Welders are usually exposed to a range of light waves including UV rays to infra-red rays, and are also exposed to various gaseous emissions (Heydarian et al., 2017). The authors of this study wondered how this constant exposure to these substances have impacted the vision of the workers. This study was done by comparing the vision of 50 randomly selected male welders from Zahedan city, who had welded for at least 4 years and were around 29 years of age, to 50 randomly selected healthy non-welder men who worked in a hospital and were around 28 years of age.  The color vision of these 100 men were tested with a Farnsworth D-15 test which classifies the type of dyschromatopsia, or color vision disorder, that is being expressed.

Farnsworth D15 Color Test Apparatus

The results show that the prevalence of color vision disorder in welders was significantly higher than that of non-welders (Heydarian et al., 2017). Additionally, there exists a positive relationship between years spent employed as a welder/average working hours and the prevalence of color vision deficiency (Heydarian et al., 2017). Interestingly, blue-yellow impairment is more common (although not significantly) than red-green impairment, which is found to be a common factor in occupation related color vision deficiency overall (Mergler and Blain, 1987). The reason why blue-yellow impairment in occupation related color vision deficiency is more prevalent is not exactly clear but would be a great topic to study further (Gobba and Cavalleri, 2003).

In the end, while we know that Van Gogh did not experience occupation related color vision deficiency, he may have had digitalis induced color vision deficiency. So there you go, both welders and Van Gogh have color vision deficiency in common.

References

Digitalis toxicity. (n.d.). Retrieved June 10, 2019, from MedlinePlus website: https://medlineplus.gov/ency/article/000165.htm

Gobba, F., & Cavalleri, A. (2003). Color vision impairment in workers exposed to neurotoxic chemicals. Neurotoxicology, 24, 693-702.

Heydarian, S., Mahjoob, M., Gholami, A., Veysi, S., & Mohammadi, M. (2017). Prevalence of color vision deficiency among arc welders. Journal of Optometry, 10(2), 130-134.

Lee, T. C. (1981). Van Gogh’s vision: Digitalis intoxication? JAMA, 245(7), 727-729.

Marmor, M., & Ravin, J. (2009). Artist’s eyes. New York, NY: Abrams.

Mergler, D., & Blain, L. (1987). Assessing color vision loss among solvent-exposed workers. American Journal of Industrial Medicine, 12(2), 195-203.

Picture 1: https://www.vangoghgallery.com/catalog/Painting/586/Still-Life:-Vase-with-Fifteen-Sunflowers.html

Picture 2: https://en.wikipedia.org/wiki/Portrait_of_Dr._Gachet

Picture 3: https://www.ophthalmic.com.sg/product/farnsworth-d15-color-test/