In honor of Native American Heritage month in November, we’ve selected a handful of titles written by Native American authors that have been published in recent years.
Whereas by Layli Long Soldier (2017)
“Whereas” confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature. (Description from Graywolf Press)
Braiding Sweet
grass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer (2018)
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise.” (Description from the library catalog)
Bright Raft in the Afterweather by Jennifer Elise Foerster (2018)
In her dazzling new book, Jennifer Elise Foerster announces a frightening new truth: “The continent is dismantling.” “Bright Raft in the Afterweather” travels the spheres of the past, present, future, and eternal time, exploring the fault lines that signal the break of humanity’s consciousness from the earth. Featuring recurring characters, settings, and motifs from her previous book, “Leaving Tulsa,” Foerster takes the reader on a solitary journey to the edges of the continents of mind and time to discover what makes us human. Along the way, the author surveys the intersection between natural landscapes and the urban world, baring parallels to the conflicts between Native American peoples and Western colonizers, and considering how imagination and representation can both destroy and remake our worlds. (Description from the University of Arizona Press)
An American Sunrise by Joy Harjo (2019)
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history . . . Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother’s death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo’s personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice. (Description from the library catalog)
When the Light of the World Was Subdued, Our Songs Came Through edited by Laura Harjo, LeAnne Howe, and Jennifer Elise Foerster (2020)
United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize-winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a 17th-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. “When the Light of the World Was Subdued, Our Songs Came Through” offers the extraordinary sweep of Native literature, without which no study of American poetry is complete. (Description from the library catalog)
Firekeeper’s Daughter by Angeline Boulley (2021)
Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team. yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug. Reluctantly, Daunis agrees to go undercover, drawing on her knowledge of chemistry and Ojibwe traditional medicine to track down the source. But the search for truth is more complicated than Daunis imagined, exposing secrets and old scars. At the same time, she grows concerned with an investigation that seems more focused on punishing the offenders than protecting the victims. Now, as the deceptions – and deaths – keep growing, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go for her community, even if it tears apart the only world she’s ever known. “Firekeeper’s Daughter” is an electrifying thriller layered with a rich exploration of the modern Native experience, a reckoning of current and historical injustices, and a powerful celebration of community. (Description from the library catalog)
The Sentence
by Louise Erdrich (2021)
In this stunning and timely novel, Pulitzer Prize and National Book Award-winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman’s relentless errors. Louise Erdrich’s latest novel, “The Sentence,” asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading “with murderous attention,” must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. “The Sentence” begins on All Souls’ Day 2019 and ends on All Souls’ Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written. (Description from the library catalog)
Interested in reading more? Try browsing through the library’s subject headings of indigenous authors and literature, such as American poetry–Indigenous authors, Indigenous peoples–North America–Poetry, and Indigenous peoples–North America–Fiction.
—Hannah Griggs, humanities librarian for English, Woodruff Library at Emory University