Dr. Andrew G. Britt (PhD, ’18) has published his first book, I’ll Samba Someplace Else: A Spatial History of Race, Ethnicity, and Displacement in São Paulo, with Duke University Press. Someplace Else charts the interwoven history of three of the city’s most iconic neighborhoods, popularly known as “African” Brasilândia, “Japanese” Liberdade, and “Italian” Bela Vista. Drawing on granular archival research, historical GIS, and sustained engagement with African-descendent cultural organizations in São Paulo, Britt demonstrates how the mid-twentieth-century construction of these neighborhoods served both to reproduce racial inequities and bolster discourses of multicultural harmony.
Mural by artist JOKS in São Paulo’s Brasilândia neighborhood.
Barbara Weinstein, Silver Professor of History at New York University, offered the following praise: “Andrew Britt has given us a remarkable book. By combining the latest digital tools with a trove of archival and oral sources, he enables us to see the city of São Paulo from entirely new angles.”
Britt is Assistant Professor in the Department of African and African Diaspora Studies at the University of Texas at Austin. He completed his doctoral training in 2018 under the advisement of Drs. Jeffrey Lesser and Thomas D. Rogers.
Emory’s 2026 Commencement ceremonies took place May 7-11, 2026, and the History Department had many reasons to celebrate. 25 History undergraduate majors or joint majors walked across the stage. Seven of those, after completing compelling original theses under the advisement of dedicated faculty, graduated with honors in History.
Latin American History doctoral candidate Alejandro Guardado defended his dissertation, titled “Indigenous Intellectuals, Cultural Brokers, and the Struggle for Native Self-Determination in Late Twentieth-Century Oaxaca, Mexico.” Kaelyn McAdam, a doctoral student in Ancient history, completed her dissertation, “Understanding the Graeculi: A Greek Roman Empire in the Third and Fourth Centuries,” and graduated in the summer of 2025. Five other graduate students received their interim master’s.
Departmental leadership, faculty, and staff celebrate these exceptional, collective accomplishments of the 2025-’26 academic year.
Yuan Zeng Ashley Tan (Fall 2025) Advisor: Tonio Andrade
The following undergraduates completed either a major or joint major in History and were recognized at the 2026 commencement:
Lucia Kumari Alexeyev Adrien Jonah Dolin Armstrong Daniel Hays Bell Kennedie Amanda Black Ciera Merie Butler Edmund Humphrey Cayley Georgios Drakos Chloe Nanci Glazer Mya D. Green* Isaac Paul Jaye Jiarui Jiang Thora Jordt Alice Liu** Victoria Mia Maza Isabella J. Mazet Lola Kate McGuire Rachel Elizabeth Mehler Javier Andres De Jesus Montano Leo Abraham Raykher Dylan Robert Sanders Villegas Joel Moa Shin Siya Sanjeev Thadani Xipei Wan Megan Xing Yiqi Zhang
* Graduating summer 2026 ** Graduating fall 2026
The following students completed honors thesis and graduated with honors in History.
Lucia Kumari Alexeyev, “Vieques Se Levanta: A History of Health Amidst Occupation” Faculty Director: Professor Jeffrey Lesser
Daniel Bell, “Public Men in Glass Houses: Herbert Jenkins and the Remaking of the Atlanta Police Department, 1947-1972” Faculty Director: Professor Joseph Crespino
Edmund Cayley, “The First East Turkestan Republic: The Rise of 20th Century Uyghur Nationalism” Faculty Director: Professor Matthew Payne
Lola McGuire, “‘This stand I make is not alone’: Uncovering the Chicago Young Patriots Organization Women, 1968-1973” Faculty Director: Professor Iliana Yamileth Rodriguez
Leo Raykher, “Economics, Espionage, Exile: The Surveilled Life of David Drucker, Esq.” Faculty Director: Professor Jonathan Prude
Siya Thadani, “Medicalizing Difference: Science and the Making of Race in the British Empire” Faculty Director: Professor Chris Suh
Thomas Wan, “For the Nation and the Revolution: Inner Mongols in the Shadow of Empire and Civil War (1931-49)” Faculty Director: Professor Matthew Payne
Alejandro Guardado, a 2026 graduate of the Latin American History doctoral program, has won the Gustavo Gutiérrez Research Award from Notre Dame’s Cushwa Center for the Study of American Catholicism. Guardado’s project is titled “Reimagining Community: Indigenous Organizing in Mexico’s Neoliberal Turn, 1968–2000.”
Inaugurated in 2025, Gustavo Gutiérrez Research Awards honor the life and legacy of Rev. Gustavo Gutiérrez, O.P., the Peruvian priest and theologian widely seen as the father of Latin American liberation theology. The award supports projects in theology, history, and the social sciences that engage or take inspiration from Gutiérrez’s work on the preferential option for the poor.
Kreklau published her first book, The Making of Modern Eating: How the German Middle Class Forged the Way We Eat, 1780–1910, with Berghahn Books earlier this year. The book as well as the new article originated in a research paper that Kreklau completed during coursework at Emory. Termed the “P-Paper” and produced by every graduate student before candidacy, this milestone helps students to develop their dissertation projects and lays the foundation for academic publication early in doctoral training.
Read the abstract of the German Studies Review article below along with the full piece here.
In 1818, the manorial lord Ludwig Ellrichshausen used his agricultural estate in Maisenhälden as a laboratory for optimized economic exploitation during a period of extreme climatic crisis. He designed a minimum-feed diet for his workers that was low in protein, devoid of fruits and vegetables, and insufficient in calories to support hard physical labor with the goal of engineering their bare subsistence to maximize outputs. The Speisemeister’s or master of food’s dietary prescription functioned as a means of social control in this Atlantic Hinterland, constructed to communicate social positioning via the symbolically charged means of food.
Dr. Sean T. Byrnes, a 2014 graduate of the doctoral program in U.S. history, recently published his second book, The United States and the Ends of Empire: Decolonization, Hierarchy, and World Order since 1776, with Bloomsbury Press. The four-century history examines the relationship between the United States, empire, and decolonization from the revolutionary war through the present.
Byrnes’s research centers on U.S. politics, international relations, and global economic inequality. His first book, Disunited Nations: U.S. Foreign Policy, Anti-Americanism, and the Rise of the New Right, was published by LSU Press in 2021. His writings have also appeared in Time, The New Republic, Dissent, Jacobin, Diplomatic History, Diplomatica, International Journal, and for the History News Network. He hosts conversations with authors on the New Books Network, serves on the Board of Editors for Federal History, and is a Section Editor for the newly released Routledge Online Encyclopedia of the Cold War.
Byrnes completed his doctoral training under the advisement of Dr. Fraser Harbutt.
Read an abstract of the Byrnes’s new book below and learn more via Bloomsbury Press.
Few topics are more important to understanding the origins of the modern world than decolonization, and few countries have played a more important role in that history than the United States.In this book, Sean T. Byrnes provides a definitive, single-volume account of the relationship between the United States, decolonization, and world order.
Through a lively narrative history that ranges across four centuries, Byrnes reveals how the process of ending and replacing empires defined the American relationship to the world from the colonial era to the present. Despite the egalitarian rhetoric of the American Revolution, hierarchies born of the imperial age—and defined by ideas about race, capitalism, and civilization—fundamentally shaped American views of who was entitled to sovereignty and when. Therefore, far from building a world of “Westphalian” sovereign equality, the United States instead manipulated, expanded, and then attempted to dominate globe spanning structures of wealth and power that served the few at the expense of the many.
From early interactions with Native Americans and a decolonizing Latin America, to efforts to bolster global hierarchies after the World Wars and influence the postcolonial “Third World”, The United States and the Ends of Empire, tells the story of a US that may not always have embraced formal empire but nevertheless still sought to organize the world in imperial ways. In the process, it reveals how Americans helped build today’s modern, globalized world—and the unequal hierarchies of wealth and power that define it.
She has served as Chair of Liberal Arts at PNCA since 2020, and her scholarly interests have expanded to include pedagogy, writing, and research in the humanities with a focus on artists and designers.
Her recently published works include a chapter on pedagogical strategies for teaching Immigration to Latin America and the Handbook of Latin American Studies, published by the Library of Congress, for which she is the Modern Argentina editor. Nouwen completed her dissertation under the advisement of Dr. Jeffrey Lesser, Samuel Candler Dobbs Professor of History.
Dr. Benjamin P. Hein, a 2010 Emory History alum and now Assistant Professor at Brown University, has published his first book: The Migrant’s Spirit: How Industrial Modernity Came to the German Lands (Oxford UP, 2025). Weaving economic history and the history of financial institutions with immigration and cultural history, The Migrant’s Spirit locates the impetus for Germany’s industrial modernization in transatlantic exchanges between German society and the expanding German diaspora in nineteenth-century North America.
Hein completed honors in history working with Professors Astrid M. Eckert and Brian Vick. He was awarded the 2010 Matthew A. Carter Citizen-Scholar Award, given to a graduating student who displays high academic achievement and good works in the community. He received his PhD at Stanford University in 2018.
Read the full description of The Migrant’s Spirit:
When a process popularly known as the Industrial Revolution first took hold in Germany in the mid-nineteenth century, many contemporaries were stunned by the scale and ferocity of the transformation. While Germany had long been considered a promising place to industrialize, given its historic ties to New World markets, skilled and educated workforce, and deep pockets of wealth, progress had been slow due to persistent indifference and skepticism across society. That people should have suddenly dropped their reservations and simply embraced the new industrial modernity defied all explanation. Grasping for answers, some concluded that the Germans must have fallen under the spell of the “capitalist spirit.”
Benjamin P. Hein locates the impetus for the abrupt transformation of German society after ca. 1850 in its cultural exchange with the country’s burgeoning diaspora in North America, one of the largest in this century. In correspondence and other “news from America,” the emigrants conveyed to their families, communities, and business associates in Europe a different set of norms and ethics regarding work, entrepreneurship, and commerce. By making it socially acceptable and politically meaningful to frequently change professions or to organize businesses as joint-stock corporations, they inadvertently mobilized an otherwise reluctant population for a more centralized regime of production that served global market forces instead of local needs and corporatist norms. They also helped popularize key institutional pillars of the new economy, like the universal bank, and inspired innovative commercial reforms, most notably the “limited liability partnership” (LLP), or “G.m.b.H.” in German, which became the legal foundation of Germany’s particularly robust small-business economy.
While addressing global trends, The Migrant’s Spirit makes these phenomena comprehensible through the lives of individuals who faced painful choices and moral quandaries as they attempted to navigate a new social and economic order and began to trust countrymen abroad over local sources of guidance. By reconstructing their struggles, Hein sheds new light on the transatlantic dimensions of Germany’s path to industrial modernity.
Dr. Debjani Bhattacharyya, a 2014 doctoral program alum, was recently awarded a competitive, multi-year grant from the Swiss National Science Foundation (SNSF) for the project, “Climate Risk Management: A Historical Perspective.” The project investigates the role of financial institutions in the making of climate science, including by engaging financial institutions’ archives from the 18th century onward, and addresses the fundamental question, “Why have we overwhelmingly turned to the market to tackle the climate crisis?” The full abstract of the project follows:
This project explores why market-based tools – such as carbon trading, weather derivatives, parametric insurance, and catastrophe bonds – have become central to managing climate risk. Examining insurance archives from the eighteenth century onward, it analyzes how financial institutions shaped meteorological knowledge, risk measurement tools, underwriting policies and enforcement mechanisms. The research aims to explain how the business of risk management influenced evolving conceptions of climate and why market mechanisms, rather than regulation, dominate current climate-risk governance.
Bhattacharyya is Professor of the History of the Anthropocene at the University of Zürich. She is the author of Empire and Ecology in the Bengal Delta: The Making of Calcutta(Cambridge University Press, 2018), which won the 2019 honorable mention for the best book in Urban History. She completed her doctorate under the advisement of Dr. Jeffrey Lesser, Samuel Candler Dobbs Professor of History.
Doctoral alum Claudia Kreklau, Honorary Lecturer in Modern European History at the University of St Andrews, has published a new article in the journal German History. Titled “Vaterland, c.1780–1870,” the piece examines the multiple and shifting meanings of the German-language term meaning “fatherland.” The full abstract follows:
This article analyses the changing semiotics of the term Vaterland between 1780 and 1870 in a variety of German-language discussions by reconstructing specific instances of meaning. It finds that the term Vaterland held multiple meanings due to the range of religious, philosophic and political frameworks and historical frames of reference in which this term operated. A great variety of speakers produced and exercised meanings synchronically and modified them diachronically. Far from being synonymous with better-studied terms such as Germany or Volk, Vaterland meant something different in every instance of usage—and reflected contestations for the fatherland itself in the period examined here.
Doctoral program alum Dr. Lena Oak Suk (PhD, ’14) has published her first book, In the Darkness of the Cinema: Gender and Moviegoing in Early Twentieth-Century Urban Brazil, with Pittsburgh University Press. Focused on the cities of Rio de Janeiro and São Paulo, Suk’s work offers an innovative analysis of how movies and moviegoers reshaped gendered perceptions and gendered realities in urban Brazil at the beginning of the last century. Rielle Navitski (University of Georgia) praises In the Darkness of the Cinema as “an engaging account of how the movies transformed urban space and women’s participation in public life in Brazil.”
Suk is a research affiliate at the Institute of Historical Studies at the University of Texas at Austin and Assistant Director of Investigator Skill-Building in the Office of the Vice President for Research, Scholarship & Creative Endeavor at UT. She completed her graduate training under the advisement of Dr. Jeffrey Lesser, Samuel Candler Dobbs Professor of History.
Read the abstract of Suk’s monograph below, and find more information on Pittsburgh UP’s book page.
Gender and sexual morality, and their intersections with race and class, were central to the formation of urban Brazil in the twentieth century. In the Darkness of the Cinema takes a wide-ranging and innovative approach to gender and moviegoing culture in Brazilian society. By focusing on the flirtations and romances of the movie theater, as well as the intrigue and moral panic that they caused, Suk creates a rich portrait of spectatorship. Where women went to the movies, who they met, and what they did in the darkness were key questions that brewed among overlapping but disparate circles, from film intellectuals and filmmakers to legislators and public health officials, as well as the moviegoers themselves. Amassing sources located traditionally within film culture as well as outside of it, such as film magazines, interviews, comics, literature, and songs, Suk shows that movie theaters and moviegoers made an indelible mark on the urban landscapes of Rio de Janeiro and São Paulo.
